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Indie Film Really Is Dead (and I mean it this time)

Indie Film Really Is Dead (and I mean it this time)

The email arrived like any another — just another annoying press release, this one announcing the venerable Anthology Film Archives celebrating its 35th anniversary next weekend. Good for them. Avant-garde luminary Jonas Mekas started the Anthology as a beacon for classic foreign and soon-to-be-classic American independent films in the late 1960s. For me, it still represents the gloriously beatnik New York of Allen Ginsberg and John Cassavetes (I first saw “Faces” and “Husbands” at Anthology in the early ’90s and I’ll never forget the experience) — it is one of the last bastions of a seedier, seamlier, artier and simply more alive New York City that has since been buried in French bistros (the Lower East Side, why, why?)

So, how totally fucked up is it that Anthology’s festival is called “Altoids IN THE TIN: A Celebration of Anthology Film Archives’ 35th Anniversay.” What could be a surer sign of the utter collapse of the East Village’s soul? The twenty-story glass-and-aluminum Hotel on Rivington is bad enough, but Altoids using its “curiously strong” ad-copy to describe Anthology’s Essential Cinema makes me gag. I’d expect this kind of sponsorship from just about every other venue (maybe not Two Boots’ Pioneer): Sundance, Tribeca, Lincoln Center, Gen Art — Altoids: take them. But not the Anthology. Not Jonas Mekas. Not the brick-and-mortar icon of underground cinema.

I’m all for honoring Anthology, but if I see a single Altoid in the building, I will surely choke on their curiously crass and vomitous opportunism.

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The true villains are the corporations who won’t give a dime to important nonprofit cultural institutions unless they get their name plastered all over everything. It used to be that there would be a subtle, tasteful, quiet, “made possible by so-and-so” acknowledgement, but now the corporations want the entire event named after them. Or their name all over banners and swag. Which is nothing but tacky.

Mark Rabinowitz

I hate to say it, Tony, but Steve here has a point. Someone’s gotta pay Con Ed.

Steve Erickson

A recent L.A. WEEKLY piece made the worthwhile point that those who complain about tobacco and escort ads in alt-weeklies should start a foundation to raise money to enable such publication to do without them.
If you’d like to spare Anthology the shame of corporate sponsorship, perhaps you can match the amount Altoids donated? I can assure you that the money was needed.

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