The master of the Hollywood montage sequence and the business activities of Twentieth Century-Fox between the years of 1935 and 1965 will be the topics explored by Anne Friedberg and Peter Lev, respectively, who have been selected by the Academy of Motion Picture Arts and Sciences as the ninth pair of Academy Film Scholars.
The Academy’s Institutional Grants Committee selected the two scholars for the honor on the basis of their manuscript proposals. Each will receive $25,000 from the Academy to aid in the research and writing of their respective projects.
Friedberg, the chair of the Critical Studies Division in the School of Cinematic Arts at the University of Southern California, will explore the life and work of Slavko Vorkapic, known throughout his career as Hollywood’s resident montage expert. Her book will “examine Vorkapic’s comprehensive filmography as a special effects cinematographer and montage sequence unit director as well as how his work has influenced subsequent generations of film writers, directors and editors.”
Lev, a professor of electronic media and film at Towson University in Maryland, will “delve into the history of Twentieth Century-Fox during the three-decade period the studio was helmed by Darryl Zanuck and Spyros Skouras.” The book will focus on both the studio’s Los Angeles-based production business and the New York-based distribution and exhibition business as well as the executives who ran them. It will also examine the contributions of the artists behind many of Fox’s successes including John Ford, Elia Kazan, Shirley Temple, Marilyn Monroe, and Gregory Peck.
The new Academy Film Scholars will receive the first half of their $25,000 grant at a luncheon this April. The remaining half will be presented upon completion of the manuscripts, when Friedberg and Lev will present their projects in lecture form at a public Academy event.
Established in 1999, the Academy Film Scholars program is designed to “stimulate and support the creation of new and significant works of film scholarship about aesthetic, cultural, educational, historical, theoretical or scientific aspects of theatrical motion pictures.”