Returning to terra firma with Chris Nolan’s next Batman installment: no Megan Fox as Catwoman, no entire movie shot in IMAX.
I recommend Big Fan, the directing debut of Wrestler writer Robert Siegel, which stars comedian Patton Oswalt in a moving, funny, searing, authentic performance. I loved Oswalt’s Q & As at Comic-Con. Scott Tobias interviews Oswalt. CHUD has video.
CNBC explains why Paramount has it tougher financially than the other studios (hence the repeating pattern of year-end rescheduling). Given that Paramount is short on cash, it makes sense for the studio to take sides in the Redbox wars and make a deal–like Lionsgate, they’re interested in short-term cash. They’re also taking Redbox for a test drive. So what will holdout Disney do?
Based on Avatar 3D footage, The Guardian asserts that cinema art is on the verge of a renaissance. But what about all the bad 3D movies coming down the pike?
IFC asks: is it going to be harder to see classic films?
The Museum of Modern Art presents Spike Jonze: The First 80 Years this October, “celebrating his work as a director, producer, cinematographer, writer, actor, choreographer, and sometime stuntman.” MOMA is also launching a two-year history of auteurist cinema.
The Playlist looks at the classic titles coming on Criterion.
The Art of the Floating Head in Posters. From Funny or Die…
The NYT experiments with new models for raising revenue from its readers.
Pajiba lists The Twelve Most Life-Affirming Films of All Time. I’m not sure I understand inclusion of Magnolia and Children of Men. Someone suggested Life is Beautiful and I totally agree with It’s a Wonderful Life. Other possibilities? Children of Paradise always warms the cockles of my heart. So do A Christmas Carol (Alistair Sim) and E.T.
If this summer’s indies were blockbusters.
My Name is Roger and I’m an Alcoholic: Roger Ebert movingly confesses his alcoholism and 30 year journey of sobriety.
For your amusement, Gawker stalks the twitterati.
Film criticism as a religious cause: Hollywood Elsewhere’s Jeffrey Wells tunes into the Movie Gods for guidance and support.
And Charlie Kaufman talks: