Wes Anderson’s stop-motion feature The Fantastic Mr. Fox debuted well at the London Film Festival; Willem Dafoe co-stars with George Clooney and Meryl Streep; he also stars in Lars von Trier’s Antichrist—and a host of other movies. Here’s Todd McCarthy’s Fox review.
For me, the movie is comparable to Where the Wild Things Are: what starts out as a visually dazzling, charming, cool, inventive movie falls down after the first hour on the weakness of a talky, undramatic script (by Anderson and Noah Baumbach). Toward the end of The Fantastic Mr. Fox, despite the best efforts of the animators and actors, I got sleepy. Not good.
[Photo: courtesy USA Today]
It’s hard to say that MPAA chairman Dan Glickman filled the gigantic shoes of the late Jack Valenti. But he did do the job, with sense and sensibility. Glickman is stepping down at the end of his contract. Next up: finding–and defining– a replacement.
The fractious Screen Actors Guild hopes to stabilize with the appointment of moderate David P. White as national executive director and chief negotiator. White had been serving as the Guild’s interim national executive director since January. This weekend the directors approved a two-year contract by a vote of 70.91% to 29.09% at its national board meeting in Los Angeles. “We now have six previously open contracts ratified, new cost saving and administrative improvements in place, and innovative initiatives underway,” said new SAG national president Ken Howard. Added White: “We will continue to get our house in order—financially and strategically. I have great confidence in the Guild’s ability to navigate the dramatic changes taking place in our industry.”
The Atlantic’s James Bennet Is Ad Age’s Magazine A-List Editor of the Year. He got there, apparently, by being self-effacing to a fault.
Peter Guber, Peter Levin and Gareb Shamus are backing email newsletter GeekChicDaily, aimed at comic and genre fans.
Twitter and Facebook growth is slowing.
Here’s Where the Wild Things Are‘s storyboard artist.
The Film Talk’s 5 Things You Should do If You Want Your Movie to Last. And Part II of Filmmaker’s coverage of FIND’s Film Forum.
Here’s why your idea for how to save journalism won’t work, says fightorflight.