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Career Watch: Nicolas Cage Risks Overexposure

Career Watch: Nicolas Cage Risks Overexposure

Thompson on Hollywood

Nicolas Cage’s latest movie The Sorcerer’s Apprentice is dead on arrival. What went wrong? There’s nothing wrong with his performance. But are people getting tired of seeing Cage? After 60 movies, has he started to exhaust the possibilities? Here’s a taste of my latest Career Watch column.

Biggest Problem: Overexposure, formula familiarity — and that hair. For an actor who says he approaches acting like jazz, Cage has starred in too many Bruckheimer action pictures with the same plot — ‘The Rock,’ ‘Con Air,’ and ‘Gone in 60 Seconds’ all blur into one another so much that some critics accuse Cage of making the same movie over and over again. Familiar markers: t-shirt, stringy hair, racing against time to seek truth, multiple explosions and a flashlight. And who can distinguish between ‘The Weather Man,’ ‘Family Man,’ ‘Knowing’ and ‘Next’? Cage shouldn’t have to do the obligatory sequel to ‘Ghost Rider,’ which is written by David Goyer and directed by Mark Neveltine and Brian Taylor of ‘Crank’ fame.

Assets: The guy can act. No matter how strange and awkward he can be in person (he should stay away from Comic-Con), Cage is an experienced veteran who knows what he is doing. The guy is willing to try anything, from cockroach-swallowing horror roles to 1000-year-old wizards. And he never phones it in, no matter how bad the movie. Cage’s ability to carry action films, romances and comedies have kept him constantly employed. He can be scary, loverly and hilarious, sometimes all in the same movie. Like it or hate it, his vengeful assassin-dad in ‘Kick-Ass’ and drug-addicted detective on the loose in ‘The Bad Lieutenant: Port of Call New Orleans’ were not easy to pull off. “He’s daring,” says the agent. “I am always intrigued by his movies.”

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Sergio makes a good point. When I was the age that seems to be the target demographic for the studios these days, I wanted to see war movies and westerns. The more John Wayne and Robert Mitchum the better. Teen idols like Troy Donahue and James Darren had a short shelf life and tended to be for girls anyway. Paul Anka and Fabian got street cred solely from being in THE LONGEST DAY (with Wayne and Mitchum!).


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The Sorcerer’s Apprenticxe looked (and was) a souless, big, bloated CGI effects laden movie that we all have seen 1000 times before. OH HUM! Wake me up when something interesting is happeneing. I mean public is getting tried of movies aimed for ADD-ridden 14 year old boys. I remember when I was the same age the LAST thing any of us wanted to see was kids films aimed for us. We wanted to see the adult films

Dave Taylor

Not sure how you can see that there’s nothing wrong with Nic’s performance in “The Sorcerer’s Apprentice”. Compare his acting to DiCaprio in “Inception”: Cage is walking through his role and barely remembers to emote at all. I talk about it more extensively in my review:

I used to be a big Nicholas Cage fan, but more and more, he’s picking tedious roles and being distressingly disengaged during the filming process.

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