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Venice Day One: Black Swan Early Reviews, Machete

Venice Day One: Black Swan Early Reviews, Machete

Thompson on Hollywood

As a Venice newbie, I got off the speed train from Rome, exited the station to a canal and grabbed a 40-minute ferry to the island the Lido. It’s an adjustment. Basically a subway is a ferry here, a taxi is a motor boat or gondola, and houses have water in their basements with a garage for their boat (below). Trucks are boats too; Venice is under constant construction, like New Orleans. The Lido is a lovely resort (a bit like Fire Island or Catalina); I figured out that I needed to rent a bike to get around (I get a silly kick out of passing slow riders on the left). The casino location of the film festival (this is the 67th) is a maze of corridors, high-ceilinged halls, wide stairways and long lines for multiple screenings.

Thompson on Hollywood
Thompson on Hollywood

Badge in hand, I took the ferry to the famous Piazza San Marco on Venice proper for an evening Danieli Hotel rooftop cocktail party (sponsored by Variety) with a marvelous sampling of exotic hors d’oeuvres from multiple hovering chefs. After checking out the gigantic piazza, with bands playing at rival outdoor ristoranti, I returned to the Lido and made the long walk back to my canary yellow hotel (below), because I couldn’t figure out where the bus stops were in the dark. (IndieWIRE has a Venice guide.).

Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood
Thompson on Hollywood

Darren Aronofsky’s Black Swan screened for advance press back in the states and for those here at 9 AM Wednesday. Early reviews are up (here’s Todd McCarthy, Variety, The Hollywood Reporter and In Contention). I am covering the opening event tonight, so I’ll file my review later. Instead this morning I went to see what I expected to be a guilty pleasure–I schlep to Venice to see Robert Rodriguez’s Machete? The defiantly B-movie has already been well-reviewed stateside.

Machete turns out to be the return to form that Rodriguez fans have been waiting for. It’s profane, political, hilarious, sexy, packed with masterfully choreographed action and hugely entertaining. It’s a straight line from Desperado (when Danny Trejo’s title character was born) through Sin City and Planet Terror to Machete, and comparisons to the likes of 60s Luis Bunuel at his most anti-establishment and Sergio Leone (Chigon’s score is riddled with Morricone) and Sam Peckinpah westerns are not out of line–Rodriguez has admitted his debt to John Woo’s balletic action choreography. And Bunuel would appreciate Rodriguez putting Lindsay Lohan (as a drugged-out internet exhibitionist, natch) into a nun’s habit complete with machine gun. Politically, Rodriguez’s sympathies are with down-trodden Mexicans and against pro-American border-traffic opposition–as well as the current corrupt and lawless drug-controlled Mexican system. But he doesn’t get heavy-handed. We’re in familiar genre territory. This is a Mexican-American western, starring a lone-gun-and-machete-slinger hero (laconic well-muscled supporting player Trejo).

Rodriguez also shares with his kindrid amigo Quentin Tarantino (head of the Venice jury) a relish for tongue-in-cheek humor and casting. What other movie makes perfect use of Robert De Niro (a corrupt right-wing anti-immigration senator), Don Johnson (his wetback-killing vigilante cohort), Jeff Fahey (his greedy lieutenant, backer and murderer-for-hire), Steven Seagal (a beefed-up drug lord and swordsman), Cheech Marin (Machete’s priest brother), makeup-artist Tom Savini (as a bad-ass assassin) not to mention the gun-packing babes of the piece, who both bed our rugged hero: earthy Michelle Rodriguez (who runs an underground network helping Mexicans cross the border) and Jessica Alba (a careerist immigration cop who eventually sees the light).

While the movie has one foot in its western roots, and Machete says things like “Machete don’t text”–he crushes a videophone at one point–he also embraces modern technology when it pays to “improvise,” punching a threatening text to nemesis Fahey: “You just fucked with the wrong Mexican.” Rodriguez telegraphs each potential weapon or prop in advance; audiences chuckle with pleasure as they anticipate how that kitchen corkscrew or set of butter-cutting hospital knives–or 60 feet of intenstine– will be inventively utilized. My only caveat–Rodriguez meanders and takes a tad too long to finish things up.

Nonetheless, Machete will be a huge word-of-mouth hit, not only with the burgeoning Latino audience, but with everyone who likes to have a swell time at the movies. Women will like this movie too: the splattering violence is strictly cartoon, and Alba and Rodriguez are gorgeous, strong and fearless. [Spoiler alert] The sight of Rodriguez with a leather bra and eye patch, bare midriff and guns is not soon forgotten. Yes, we will likely see the promised sequels Machete Kills and Machete Kills Again.

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Fun movie.

I was surprised. I was not expecting it to be as funny as it was.
Then again it would be foolish to go and watch this movie and take it all with a very serious demeanor.

The only villains in this movie were racist ones, so if you got offended while watching this movie because of its stereotypes
then you deserved it because that will make you a racist too.

due to the popularly ignorant belief on this movie,
NOt all white people were portrayed as bad guys.
The cook in the film was white and so was el Cholo.

My white friend was not offended at all and praised at how
surprisingly enjoyable it was.

Its an action flick like something you’d expect to see with Bronson, Eastwood or Bruce Lee!!

This movie does not insists on a race war as some people ignorantly have described [about 2 ppl so far]. If anything it relies on a “doing what is right” attitude like handling the immigaration issue in most peoples dreams by bringing us all closer together and not tearing us further spart.

for example: Whites and Latinos sharing the same room having a great time watchng this movie was one of them.

I am so glad this movie brought immigration issues
to the table and made light of it all with comedy
and a good message,
which is: We are All HUMAN Beings sharing the same sky!

There is the good and bad and it is wise if both sides
got together and woked something out instead of using violence/insults [verbal or physical] to get a point across
like so many spiritually ignorant ppl do, but this is not a movie you’d go see for spiritual reasons? right. good!!

This movie is a cut throat action packed blast!!!
What would you expect from a title like “Machete”
The trailer is as Awesome as the movie.

This movie lives up to its name and then some.
It is creative, sexy, hilarious and ultra violent like Tarantino movies with a Latino Rodriquez twist.
{and his co-director}

This is not a movie to be taken all too seriously.
This is a movie not for the easily offended.
This is a movie to spend a good time on and enjoy
a few good laughs.

my opinon, It is Rodriguez best besides El Mariachi
and if you liked Desperado or Once Upon a Time in Mexico
the slightest t then you will definitely enjoy this one!

Its a grindhouse movie and if you like the type.
A movie worth the time and a movie you should go out with friends to see and not the whole family with…. duh!!!

4 out of 5 for its type of movie.
ACTION is great.
The story will do.
Actors were Awesome.
Great Ideas with scenes and characters.
Memorable and hilarious one liners.
Stereotypes blown through the roof that its funny,.
Sexy Hot Latnas.

what more can you ask for
besides Seagal being a villain?

go see it.

I will (again)

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