Philip Seymour Hoffman will play Willy Loman on Broadway next fall in Tony and Oscar winning director Mike Nichols’ take on Arthur Miller’s Death of a Salesman. It’s a role Hoffman has been lusting after, Nichols told the NY Times. The pair, who worked together in 2001 for a Central Park production of The Seagull, have been planning the production for months and agreed upon Linda Emond to play across from Hoffman as Linda Loman. Nichols is not worried about Hoffman’s 43 years vs. Loman’s 60-something, “what matters is finding the right man to play the part.” Brian Dennehy played the part in 1999 when he was 60 and Dustin Hoffman played the role at 47 in 1984.
– Hugh Jackman is excited to get to work again with Darren Aronofsky (The Fountain) on Wolverine 2 in early 2011. With a script written by The Usual Suspects writer Chris McQuarrie and given Aronofsky’s dark style, Jackman foresees the film as being different from the other X-Men films and the usual franchise fare. He says it will mark “a change of pace…This is Wolverine. This is not Popeye. He’s kind of dark.” Jackman hopes the film will be “out of the box” and trusts that Aronofsky is “going to make it fantastic.” The franchise entry will also allow Aronofsky to prove himself in the arena of big-budget VFX-laden studio production.
– Warner Bros. is talking with filmmaker-du-jour Ben Affleck about directing (and possibly starring in) long-in-the-works Replay, based on a Ken Grimwood novel and a subsequent Jason Smilovic adaptation about a man who dies and wakes up as his eighteen-year -old self with a chance to do it all over again. Affleck is waiting to make his next directorial move until his notes are incorporated into Smilovic’s script as well as Dave Mandel’s The Trade, for which he’s also been offered the reins.
– Taken director Pierre Morel, currently working on a Dune reboot, is poised to take the director’s seat for a Ouija board movie that is being hyped as more of an action-adventure a la National Treasure than a genre horror film. Michael Bay’s production company (Platinum Dunes) and a handful of Lost writers are likely to keep it within the perameters of the mainstream and potentially franchisable.