Back to IndieWire

film review—TRON LEGACY

film review—TRON LEGACY

If you’re old enough to remember seeing Tron when it came out in 1982, you may understand why I wasn’t chomping at the bit to see this much-hyped sequel. Tron was revolutionary in its use of computer graphics to place Jeff Bridges into a videogame environment—and that was definitely cool. But even cutting-edge technology needs a story to create a satisfying movie experience, and that’s where Tron fell short. I’m sorry to say the new movie is an example of history repeating itself.

The two films have something else in common: their major asset is Jeff Bridges. In 1982 he already had two Oscar nominations under his belt (for The Last Picture Show and Thunderbolt and Lightfoot), and it was his charismatic presence that saved—

Tron from being a mere exercise in computer graphics. Today, with a long-deserved Oscar on his mantelpiece and decades of great performances to his credit, Bridges is a past master at bringing offbeat and colorful characters to life. Once again, he gives a special-effects movie its most valuable moments of gravitas and humor, as a hippie-ish father who unwittingly abandoned his young son when he was swallowed by a video game years ago.

Bridges also participates in a technological feat that wouldn’t have been dreamed of in 1982, playing a clone of himself frozen at the age of 35. “Frozen” is the operative word here. As a friend of mine once observed, while we watched an impressive video effect unfurl, “Just because you can doesn’t mean you should.” The process that enabled the creators of The Curious Case of Benjamin Button to de-age Brad Pitt, step by step, has been employed to paste a seemingly calcified Jeff Bridges face onto a body double to create a villainous doppelganger. The result isn’t wondrous or awe-inspiring, as it was in Benjamin Button; it’s just weird.

This is not to say that Tron Legacy doesn’t have impressive visuals; the settings, costumes, and overall production design are truly impressive. Hard-core gamers may derive so much enjoyment from the look of the picture, and its action scenes, to overlook its shortcomings. And a goodly portion of the audience may be content to ogle Olivia Wilde in her futuristic, form-fitting outfit. (Garrett Hedlund is also good as the movie’s hero, Bridges’ son as a grownup.)

But at a shade over two hours, Tron Legacy needs more than effects and sensations to keep us engaged, especially on the emotional level it aspires to reach. An uninspired screenplay (credited to four writers) doesn’t deliver the goods.

The original Tron earned a niche in movie history, more for what it attempted than what it achieved; I don’t think the sequel will follow in its footsteps. Too many other movies have put CGI to better use.

This Article is related to: Uncategorized and tagged



Right, Leo. And it’s deadly boring. Rating: *1/2


The review is on target. I remember seeing the original Tron as a boy, and I didn’t like it. Tron Legacy is just another cinematic example of why video games fail to translate to the big screen.


I differ with Maltin on the original 1982 film. But this sequel does very little to live up to the hype or to honor the term “legacy”. Maltin’s carping is finally justified after all this time.


I liked Tron, but everything Leonard just said is true.. as usual.

Mr Charles

Definitely the sequel was too long! But, it was nice to see what happened to Jeff Bridges’ 2nd most popular Sci-Fi character (1st being Starman) and the reunion was satisying to we who saw the 1st film. The special effects of the sequel was needed since the original was panned partially due to inferior special effects (compared to Star Wars and Star Trek, among others of the 70’s and early 80’s). Perhaps 3D & IMAX was overkill, but I give it a B- (The Matrix was better!). Yes, I delighted in seeing Olivia Wilde (she’s in The Next 3 Days and the upcoming Cowboys and Aliens, among others) since she hasn’t been on House (MD) this season.


You said it, Leonard! Why oh why did someone think the thuddingly dull, only mildly “groundbreaking” original was worth remaking? Because they bought into the hype and Hollywood “unconventional wisdom” that if something gets a lot of attention on Aint It Cool or at Comic-Con it’s gonna make a fortune. What Hollywood seems unwilling to understand is that fanboys are NOT the average person. Catering to them alienates the rest of us. “Tron” the original was dull and overrated and my teenage self was really disappointed when I saw it. The new “Tron” is duller, louder and in 3-D (it doesn’t really even have the COLOR of the original; this is all iPod black, iPod white or iPod cool blue), and it’s STILL disappointing.

Your email address will not be published. Required fields are marked *