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Cheer Up Michel Gondry Fans, ‘The Green Hornet’ May Be Seth Rogen’s Fault

Cheer Up Michel Gondry Fans, 'The Green Hornet' May Be Seth Rogen's Fault

Gondry Didn’t Have Final Cut, Or Full Authority, But Says He “Accepted” This Early On


The Green Hornet” may have topped the box office this weekend, bringing in a respectable $34 million but its critical reception was mixed at best. Personally, this writer thought the film had some good laughs but really stumbled when going through the motions of yet another superhero origin story. More importantly, it was a far cry from director Michel Gondry’s best work (“Eternal Sunshine of the Spotless Mind”, his music videos) and seemed like more of a compromise than a collaboration with star/co-writer/producer Seth Rogen. Well, according to an article in the LA Times that was exactly the case.

Apparently Gondry did not have final cut and butted heads with Rogen on the direction of the film. He also admitted, perhaps much to the dismay of fanboys claiming it clearly bore his visual imprint, that it was not his movie. While the French filmmaker doesn’t go as far to say it was a work for hire gig, he does note that he wasn’t on the top of the set hierarchy this time. ”Seth was as important, if not more important than the studio,” he said. “So I felt, ‘well, it’s not really my movie.’ I accepted that. But I realized there was still tons I could infiltrate or infuse my personality through discussion all the time.” That’s pretty disappointing to hear, considering how excited both star and director seemed to be at the beginning of this project. 

Producer Neal Moritz said he and Rogen superseded Gondry’s authority too, noting, “Coolio‘s ‘Gangsta’s Paradise,’ Michel didn’t want that – but myself and Seth really wanted it,” he said. Gondry went on to add that although he “hated” some of the jokes when he shot them, he came around to them in the film later on.


Rogen does take full responsibility for one of the film’s most head-scratching moments: it’s that same aforementioned musical setpiece. Rogen recalled, “I remember when we were shooting it, [Gondry] was sitting there with his arms crossed and a grumpy look on his face but there wasn’t a second when we thought we might be wrong. We were like, ‘You are going to feel so stupid when you see that this is the funniest [freaking] thing in the entire world.” Gondry may not have agreed but he was a good sport about it. He said of the song, “It’s not really me at all. But when I saw it, I really liked it.” As fans of both Gondry and Rogen, we’re glad to see the two ended up working everything out but would be surprised to see any future collaborations and/or Gondry ceding control to anyone else anytime soon.

“The Green Hornet” is in theaters now. — Cory Everett

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Comments

Ozone4

Neal, Ori, sorry to hear bout the Green Hornet thingy or whatever. Uh…what were you thinking? You HAD my script.
Oh well…call me.

Ozone
La Mesa

dee

I wish to watch something like Eternal Sunshine of Spotless Mind from Michel Gondry again. Would it be impossible?

Anna

Gondry was a self-acknowledges hired gun on this film, so you have to cut him some slack.

broom

An easy way to “see” Gondry’s touch for those who believe his imprint is not visible on “The Green Hornet” is to watch the film back to back with “Pineapple Express” and spot the differences in tone, characterization, field size and more…

Kevin Jagernauth

Guys, this barely has Gondry’s imprint aside from exactly two or three sequences. Even the friend I went to see it with was surprised to learn Gondry directed it.

Collin

His admission about not having complete control or final cut doesn’t mean his fans are wrong about the film bearing his “visual imprint”. I think it does.

Brody

There are still Gondry fans, in 2011?

Joe

CEDING control, not seeding

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