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Review: ‘Super 8’ Is A Summer Blockbuster Just Like You Always Remembered

Review: 'Super 8' Is A Summer Blockbuster Just Like You Always Remembered

The first teaser for “Super 8” debuted in front of “Iron Man 2” way back in early May of 2010, featuring a single sequence of a violent train collision and a mystery car containing something ominous, large, strong and very scary. The helmer behind such box office hits as the “Star Trek” reboot as well as some of the more intriguing fare to show up on television in the last few years, throw the name J.J. Abrams onto a project and speculation – and excitement – begins to run rampant. Was it a monster movie? A sequel to “Cloverfield”? Some even broke down the ending shot of this first teaser, frame by frame, in hopes of some clue as to what was to come. Now, just over a year later, we’re closing in on the film’s debut, and while newer trailers indicate that early speculation of a moody, more fierce film might have been a little off base, Abrams still delivers an edge-of-your-seat thriller with heart and humor that we predict will have audiences buzzing.

But the story begins solemnly. Joe Lamb (promising newcomer Joel Courtney) has just lost his mom in what, we gather, was a brutal accident at the factory where she worked. An only child, he’s left with Dad, the local sheriff’s deputy (brought to the life by the stoic quietness that is Kyle Chandler) and who, in a classic father-son relationship trope, is not big on emotions. The Lamb boys struggle to co-exist in their mourning, not finding strength in each other but in distractions, the elder Lamb in his duties as deputy and Joe with his gaggle of buddies and at the house of his best friend Charles (a charmingly ambitious Riley Griffiths) – who along with several brothers and sisters, offer an alternatively warm, robust home to Joe with open arms.

Jump to the last day of school and Joe, Charles and co. are making plans to spend the summer completing Charles’ zombie-themed cinematic masterpiece. In an effort to add some heart to his story, the aspiring auteur writes the part of The Wife into his script, and to the surprise of his friends, manages to snag the school’s hottie/tough girl Alice (Elle Fanning) for the role. The move also introduces the heart into “Super 8,” as the sparks between Alice and Joe lead to a story of first love that really serves as the center of the film.

Soon, however, the summer quickly erupts into something much more sinister. While filming a climatic scene at a train station late one night, the little crew find themselves lucky enough to have an actual train coming through — “Production value!” yells Charles in delight — but what they don’t bargain for is a rogue pick-up truck coming onto the tracks and hitting the speeding train head-on, resulting in the violent crash from that first teaser trailer, and lots and lots of explosions. Only nearly escaping intact, the kids go back to investigate and find that the driver of the truck was none other than their mysterious biology teacher, Dr. Woodward. The dying man warns them to tell no one of the incident – a threat ominous enough to send the kids running as a group of flashlights approaches, and keep their silence about what they saw. However, as the Air Force rolls in and increasingly strange events start occurring around town, the weight of what they have witnessed becomes clear, and the group is ultimately called into action when one of their own goes missing.

Set in the summer of ’79 in small town America, “Super 8” is affluent in nostalgia, but that also comes from the heavy influence of Spielberg’s work from the late ’70s and ’80s. And while yes, he is a producer on the film, he’s also the helmer behind movies that inspired generations — including Abrams, as shades of “E.T.” “Close Encounters of the Third Kind” and “Jurassic Park” can all be felt here. Through the eyes of his child protagonists, Spielberg made a career on capturing the genuine wonder and imagination of the unknown as well as the child-like innocence and compassion it can take to understand it, and “Super 8” is absolutely a nod to that form.

Packed full of solid character actors, there are few, if any, weak links, with even supporting players leaving a solid impression (particularly Charles’ family, which in just a few scenes adds distinctly to the warmth of the movie.) The young stars of “Super 8,” many of them first timers, carry the film well, and the dynamic between the group of friends is “Sandlot”-comparison worthy. Fanning and Courtney shine in the leads, bringing a genuine heart to the love story at the center of the film. But responsible for most of the laughs is Ryan Lee who, as the group’s pyromaniac and special effects adviser, Carey, fits perfectly into that role of the friend your parents wish you didn’t have.

And oh yes. The cargo. While we’d hate to spoil it here, the slow roll-out of Abrams’ CGI creation builds in edge-of-your-seat suspense to a genuinely frightening reveal, when we see full on what the town is up against. And while yes, a CGI creation it definitively is (will technology ever reach a point where CGI becomes indistinguishable?), we (well, this writer) jumped. More than once.

While there is so much to love about this movie, there are points when the multiple story threads seem hurried, particularly in a clunky scene that goes from climactic confession to terribly threatening without much finesse. And the amount of sentimentality, while mostly a welcome by-product of nostalgia, is taken occasionally over the edge by the recurring appearance of the deceased Ms. Lamb’s locket which becomes a rather heavy-handed metaphor we could have done without. But ultimately these are trifles in what to us is a hugely successful addition to the Summer Blockbuster genre.

And if it feels like we’re leaving things out, we are, but part of the fun here is being along for the ride, so we recommend you avoid the spoilers as best you can. (Also, definitely be sure to stick around for the credits.) It’s highly unlikely you will regret it, we certainly didn’t – and you don’t have too long to wait, “Super 8” hits theaters June 10th. [A]

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Such a great movie. The chemistry between those kids was perfect, I felt like I was watching a science fiction, badass version of Sandlot or even Stand By Me. Truly a great Summer blockbuster, a whole lot better than Troy or X-Men.


For once, I would like to see a sci-fi movie live up to it’s hype.

This is not it.

The preview shots never make it to the movie, which is nearly unforgivable, since you are waiting for it throughout the whole thing (the turning of the wheel on the rail car).

This is Cloverfield meets ET meets Friday Night Lights – sullen idiotic adults, too-clever kids (some badly miscast, whom I shall not mention but her initials are EF), and really plotless *with so many holes) movie-making. Abrams must have been too busy with his other projects to make this one coherent.

Even in the late ’70s, which this movie purportedly is supposed to have taken place, there would be so much media attention and no references to “Soviet takeovers.”

And I really want the lipstick franchise for the next JJ Abrams kids/ movie. I could make a fortune.


“(well, this writer) jumped.”

you must’nt have seen much action/horror films.

Smash Tit-house

so excited for this one. great review.


This is the movie I’m most excited about seeing this summer, I’ve avoided all the clips and only been subjected to that lens flaretactular trailer at the cinema. I’m delighted you liked it, it’s rare for anything to give you a sense of awe anymore but the trailer for this really does send one back, or I have early onset Alzheimer’s.

Leah Zak

@oldplaylistreader – while I don’t seek out horror with the same gusto as perhaps a James Wan enthusiast, I’ve seen my fair share of action/horror and the suspense on this one did make me tense enough to reflexively put my hand to my face on a few occasions.

@j.j. – as mentioned above, the story does get clunky, and is not as streamlined as it could have been (… in an anti-spoiler effort, do not want to go much deeper than that) But I really don’t think the nostalgia was intentionally exploitative enough to refer to it as pornographic, so Agree To Disagree with Bad Ass Digest, I liked it.


This movie can’t come fast enough. The first summer movie I have truly been excited for in a long, long time. Early reviews are, of course, outstanding. It will be nice to see a movie where the people who made it actually give a damn. How refreshing!


wow that’s quite die opposite of some of the other review out the, see faranci:

“Super 8 replaces awe with loud spectacle and abandons its own heart to fit in one of modern cinema’s least interesting aliens. This is a film whose script should never have been filmed, a script whose structural problems are so obvious and huge that it takes a Star Trek sized hit to explain how they ended up on screen. When Super 8 is released I’ll return to this subject and write about the major problems the film suffers in the second and especially third acts, but for now just know that Super 8 is a movie that does not, in the end, fully work on any level except for cheap nostalgia porn.”

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