Back to IndieWire

Oscar Talk Mid-Summer Outlook: New Rules, Midnight in Paris, Streep vs. Close

Oscar Talk Mid-Summer Outlook: New Rules, Midnight in Paris, Streep vs. Close

Thompson on Hollywood

Kris Tapley and I reconvened over Skype for a mid-summer Oscar Talk (below). We covered quite a bit of ground. New Academy rules affect the top ten best picture ballot, VFX, documentaries and animation, but not foreign eligibility. New members may tip the scale as well on a more mainstream selection.

Will the movies that have played well with adults and critics so far last through the awards season–Woody Allen’s career-topping hit Midnight in Paris, Terrence Malick’s subdued The Tree of Life, Tom McCarthy’s comedic Win Win and Cary Fukunaga’s romantic Jane Eyre?

While it’s too early, really, we speculate wildly about the films coming up in the fall and winter, from Steven Spielberg’s The Adventures of Tintin and current Oscar front-runner War Horse, to Martin Scorsese’s unpredictable and retitled 3-D effort Hugo. Will David Cronenberg, George Clooney, Roman Polanski, Lars von Trier, Stephen Daldry, David Fincher or Bennett Miller enter the Oscar derby? The last three of those films are produced by Scott Rudin, and many fall contenders, per usual, are distributed by the Weinsteins or Sony Pictures Classics.

In the best actress category, do Tilda Swinton, Michelle Williams, or Kirsten Dunst have a prayer against heavyweights Meryl Streep and Glenn Close, attempting an Oscar comeback two decades after her Hollywood heyday? Check it out.

This Article is related to: Uncategorized and tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,



I think best song or score perhaps, the song plays through out and sets up each scene and then finally finishes right at the emotional climax of the film. It’s like the marker for when the fantasy begins in those scenes, “Bistro Fada” by Stephane Wrembel.


I don’t see why Kirsten Dunst should be punished for it at all, or that the Academy would be unforgiving enough to punish an actress when she has obviously distanced herself from Von Trier’s comments. I think she deserves a nomination at the very least!

Steven Kaye

I’m confident Midnight in Paris will get nominations for (at least) Best Picture, Original Screenplay, Supporting Actress, Costume Design, and Art Direction.


midnight in paris should get a best writing nom
best supp acting for cotilard
best supp for the hemingway dude

maybe for best pic
owen wilson best actor is a long shot
loved kathy bates and adrian brody but those were such small parts

and throw is costume
maybe cinematography

Your email address will not be published. Required fields are marked *