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New On DVD: Otto Preminger’s “Hurry Sundown”, Starring Diahann Carroll, Robert Hooks

New On DVD: Otto Preminger’s “Hurry Sundown”, Starring Diahann Carroll, Robert Hooks

Quietly released on DVD this past spring, Viennese director Otto Preminger’s (Carmen Jones, Porgy and Bess) 1967 film, Hurry Sundown, has been called “one of the worst films of all-time.”

Film critic Richard Schickel, in his LIFE magazine review of Hurry Sundown, said it “is an execrable film. Indeed, it is very possibly the worst major production to come out of Hollywood in the 1960’s.” The film, based on K.B. Gilden’s best-selling novel of the same name, is frequently referred to as “racist” and “offensive”.

But don’t let that stop you from deciding for yourself. If not for any other reason, I’d recommend Hurry Sundown solely for the opportunity to see strong performances from Diahann Carroll, Robert Hooks, Beah Richards, and Rex Ingram that likely would have remained eternally obscure, if not for this DVD release.

The film also stars Michael Caine, Jane Fonda, Faye Dunaway, and Burgess Meredith.

Without giving away too much about the film, I’ll only say that its plot revolves around a wealthy white businessman who needs to convince two farmers– one white and one black– to sell their land to him. The white farmer happens to be his cousin, and the black farmer’s mother was his wife’s “mammy”.

Many critics of the film have charged that it was a step back in terms of accurately depicting the relationship between blacks and whites in the Deep South during Jim Crow. Some have even reasoned that the film’s poor reception was merely a case of its 1946 setting and plot conflicting with the sometimes militant atmosphere and thinking of the late ‘60’s. In other words, the same way many of us have rejected The Help in 2011, so, too, did audiences reject Hurry Sundown in 1967.

I can totally understand why audiences would be turned off by the themes represented in this film in 1967; yet I did find some redeeming qualities that should be noted. One of the main black characters, Reeve Scott, played by Robert Hooks, is depicted as a courageous land-owner, not willing to back down in the face of pressure and personal loss. Diahann Carroll’s character, Vivian Thurlow, is a school teacher, and her father a professor.

AND, there’s even some black love depicted here; a rarity in even some of today’s mainstream films. Sure, there are some scenes that depict blacks in subservient roles, but we are talking about Deep South 1946, for goodness’ sake. To pretend that such scenes didn’t exist in real life would be ridiculous.

The controversy surrounding Hurry Sundown didn’t only apply to what we see on screen. In her 2008 auto-biography The Legs Are The Last Thing To Go: Aging, Acting, Marrying, and Other Things I Learned The Hard Way, Diahann Carroll revealed that working on the set of Hurry Sundown was no easy task. She recounted one particularly tense encounter she had with Preminger regarding something as simple as having access to a hairdresser who could successfully manage her hair in the humidity of the film’s Louisiana shooting location, which can be read HERE.

Bottom Line: In my opinion, Hurry Sundown is worth checking out for yourself. Its so-called controversial themes are a part of American history, and there’s no denying that. Watching the film myself, I didn’t see anything that I haven’t seen in many other racially-themed films that are considered “must-sees”. Most of you are mature adults, and I think you can handle it. Unfortunately, it doesn’t look like Hurry Sundown has found its way to Netflix yet. However, the DVD is available for purchase through many online retailers.

For all you serious film buffs and movie snobs out there, I would recommend you giving it a shot. And the next time you’re showing off your DVD collection, you can revel in the fact that you own a Diahann Carroll film that a lot of your friends likely do not.

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I agree with Darla it is very entertaining, but in a bizzare way. And it’s got some realy good explosions at the end too

Dave Kehr of the NY Times write a great review of it when it came out on DVD a few months ago


I’ve never heard of this film until now, but I’m very interested in seeing it now. I love Diahann Carroll and I’m always excited to see more of her work from back in the day. I think more of these “controversial” films should be released because it’s educational in a way.

Darla & Mark

jane and michael don’t mention this film in interviews, i find movie entertaining,



I really don’t see what’s so bad about this film! I thought it was decent, at best. And any time I can see Diahann Carroll on film, that makes it satisfying enough for me.

As for the Michael Caine accent, it didn’t bother me much. And the saxophone scene just seemed like an attempt to show tension between Caine and Fonda; she kept trying to grab it, and he kept pulling away before finally letting her blow. Watching it, I didn’t even notice the innuendo. I’ll admit that it’s funny thinking about it now.


I’ve seen Sundown several times and even have that Olive Films DVD of it you’re referring to? Sorry but I think it’s one of the most unitentionally funniest movies ever made. The only thing missing in the film is Al Jolson in blackface singing “Mammy”

And hey, how come you didn’t mention that infamous “saxophone” scene with Jane Fonda or Michael Caine’s truly awful attempt at a southern accent?

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