You will be redirected back to your article in seconds
Back to IndieWire

The Best Film of the Year that Critics Forgot

The Best Film of the Year that Critics Forgot

My favorite movie released in 2011 has been conspicuously absent from film critics’ year-end best lists. Maybe it’s because the film premiered more than over a year ago at the 2010 Cannes festival, but its highly affective, penetrating account of marriage, parenting, and infidelity is still resonating with me long after I first saw it in May of last year. Forget “The Artist,” “Tree of Life,” “The Descendants,” or “Hugo,” the best movie of the year is Romanian filmmaker Radu Muntean’s “Tuesday, After Christmas.”

The slow-burning masterpiece takes the exacting long-take style of 2009’s totalitarian-era critique “4 Months, 3 Weeks & 2 Days,” and effectively transplants it to a more intimate tale of modern infidelity. “Tuesday” is what adult movies should be, from its subtle, revealing dialogue to its powerfully alive performances, lead by Mimi Branesco, as the almost callous husband, and Mirela Oprisor, as the fierce, wounded wife who lays into her spouse in arguably the best dramatic scene of the year. 

But as A.O. Scott wrote in his review, “even scenes that might seem incidental are played out with meticulous attention to submerged emotional currents and telling ironies.”

A child’s dentist office visit, for example, turns into a subtextual, squirm-inducing psychological morass, all occuring just below the surface of banal talk and quotidian gestures.

And while “Tuesday,” to the best of my knowledge, includes no political content whatsoever about Romania’s troubled past, the film acutely examines the lies that drive our lives, and the selfish acts that we frequently make without being fully aware of their consequences or repercussions.

This Article is related to: Reviews


Chris Shapiro

Bleah, is this a good film?! :) one of the stupidest films ever, like most of the new Romanian films. 4 Months, 3 Weeks & 2 Days, another film in which u see amateurs miming. There are indeed good old Romanian films made by amazing directors in which you see playing first class actors. Good Romanian films were made in the past like "Reconstiruirea" , "De ce trag clopotele Mitica" , "Calea Victoriei sau cheia visurilor", "Padurea spânzuratilor", "Balanta", "Pe malul stang al Dunarii albastre", "Figurantii", etc
And there are new films what deserve all attention in the world but not made by new Romanian directors, check out Dagur Kari, Aleksey Balabanov, Andrei Zvyagintsev etc These are in real great young directors what make real films not like the Romanian new jokes. I am Romanian and i love films but not new brainless Romanian stupidities in which u can see playing the most useless actors ever.

Kenji Fujishima

"Tuesday, After Christmas" is indeed an excellent film…but that "exacting long-take style" that Mr. Kaufman refers to seems to be a trademark of just about every Romanian film that's been seen in the U.S., from "The Death of Mr. Lazarescu" onward. It's not like "4 Months, 3 Weeks and 2 Days" was the only film to utilize that style.

Your email address will not be published. Required fields are marked *