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Final Box Office: “Chico & Rita” and “Rampart” are This Week’s Best Newcomers

Final Box Office: "Chico & Rita" and "Rampart" are This Week's Best Newcomers

Each Tuesday, Indiewire publishes a box office chart that sorts the final weekend numbers of all specialty releases by per-theater-average.  Check out the full chart here, but here’s some highlights:

Top Per-Theater Average: “Chico and Rita”( GKIDS)
Fresh off its surprise nomination for best animated feature, GKIDS released “Chico & Rita” grossed a very impressive $20,654 from a single screen at the Angelika Film Center in New York this weekend. A love story set in the late 1940s and early 1950s, the film had the highest per-theater-average of any film in release. It will expand to five theaters in both New York and the Bay area on February 17th.

Best Debut on More Than a Single Screen: “Rampart” (Millennium Entertainment)
While “Chico & Rita” found the best overall debut, “Rampart” was a respectable bridesmaid. While it didn’t end up managing an Oscar nomination, Millennium Entertainment’s release of Oren Moverman’s second feature grossed $60,446 from five screens for a very respectable $12,089 per-theater-average. Those numbers are up from Moverman’s previous film — 2009’s “The Messenger,” which like “Rampart,” starred Woody Harrelson. That film averaged $11,131 from four theaters in its first weekend before going on to gross $1,109,660.

Most Impressive Holdover: “We Need To Talk About Kevin” (Oscilloscope)
Oscilloscope continues its very cautious expansion of Tilda Swinton-starrer “We Need To Talk About Kevin” (which was clearly pegged to Swinton’s sadly non-existent Oscar nomination). Going from 13 to 16 screens this weekend, the film impressively shot up 28% in grosses, and actually saw its weekend-to-weekend per-theater-average rise as well. Grossing $83,816, it averaged $5,239 and took its total to $496,670. The film has only expanded to a few markets, and Oscilloscope said the film will be in hundreds of markets through March and April. Its first expansion of March 2nd.

Milestones: “The Descendants (Fox Searchlight)
Fox Searchlight’s release of Alexander Payne’s “The Descendants” expanded slightly from 2,038 to 2,214 screens. In its thirteenth weekend of release, it took in $3,441,676, averaging $2,177. The new total of $70,671,289 put it less than $1 million from surpassing the gross of Payne’s “Sideways” — and makes it the fifth highest grossing Fox Searchlight release ever.

Check out the full box office chart.

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isn't a separation holding even steadier then kevin?

Gerald Horatia

No one here is reporting REAL NEWS. How about the Sundance Scam and lawsuits, including class action law suits against Sundance? Don't tell us about that one, just get their money for advertising, that's all this site cares about, in the meantime let all of us suckers ( filmmakers) continue to get "ripped off"
filmmakers, check out Scam Fest The Movie at

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