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Summary Of Spike Lee’s CSU Lecture (Hasn’t Made His Best Film Yet; Biopics On His List + More)

Summary Of Spike Lee's CSU Lecture (Hasn't Made His Best Film Yet; Biopics On His List + More)

As was announce last month, and then again a couple of days ago, last night, Spike Lee gave a 1 1/2 hour lecture at Chicago State University that was free and open to the public.

None of us at S&A could make it (I live in New York, so that’s my excuse :)), but thankfully a few S&A readers did attend the lecture, and one of them, Darralynn Hutson, offered to submit a write-up of the event, and of course I said yes!

Darralynn didn’t waste anytime in getting her summary of the night to me (I woke up this morning to find it sitting in my email box), and I’ve posted it all below, verbatim, for the rest of you who weren’t at the event, to read. 

Thanks Darralynn for taking the time and having the courage to put this together, and to your photographer Raymond Boyd for the above image!

SPIKE LEE lecture at Chicago State University

Wed Feb 8 at 6:30pm – 7:50pm

By Darralynn Hutson

My photographer, Raymond Boyd and I are so engaged in a debate about Spike Lee and what just happened in the auditorium of Chicago State University that we find ourselves shivering at my rental when we decide just to jump in the cars and continue the conversation via mobile phone.

What just happened?

We’re wondering after two hours of listening to Spike Lee talk about his career as a filmmaker. Clad in his usual NY baseball cap and black jeans accented with the black round rimmed glasses and flavorful gym shoes; Spike Lee, tonight, seemed frail. He seemed small like when he was running up and down tenements as Mookie in “Do the Right Thing.” The crowd of CSU students, faculty and Chicago natives erupted in applause once he removed his jacket to reveal a blue and white number 80 Giants throwback jersey. He took a full 10 minutes to flaunt their super bowl victory and show his extreme passion for sports. Then he set the tone for his lecture; “my experience as a filmmaker.” I thought to myself, “this is gonna be good.”

He started with his usual “Growing up in Brooklyn” story that if you’ve seen most of his interviews or attended his lectures, it’s a great way to start the Spike Lee story. Then he settled into his life at Morehouse and how by sophomore year, his adviser pushed him to select a major because he’d used up all of his electives. Then the conversation went back to Brooklyn and the summer of 77. It all felt rehearsed and told before. Or at least I’d heard it before. Blah, blah, blah.

I started to wonder if he’d ever get to the present day and tell us about Red Hook Summer for Gods sake. Then another 10 minutes on the importance of education and him being from a 3rd generation of educators. He even threw Pariah (Dees Rees – his former NYU Film School student) two shout outs when talking about his continuation of his family tradition of teaching. The audience started to yawn. One of the cameramen next to me in the media row stopped taking pictures all together. I thought to myself, “why is Spike being so politically correct?” Finally, a hint of sarcasim when he used the phrase “your boy” President Obama, as if to say, “he’s not MY boy.” It was the only time that he mentioned the Oscars when saying that was the same day he delivered his state of the union speech. The academy released their nominations. He quickly compared the slave maid role of Hattie McDaniel’s Mammy in Gone with the Wind and the roles of Octavia Butler and Viola Davis in their portrayals in The Help. He actually made devilish fun of how far we’ve come. A glimpse of the ole’ pike Lee.

Then the lecture just got weird. Weird in the sense that the Spike Lee that we know and love would’ve taken this opportunity to talk about the state of cinema and his choice to produce Red Hook Summer; instead he started to talk again about his parents and their different style of parenting. Spike loves his mother, rest her soul, but I just can’t imagine he was thinking about his mother when he made Red Hook Summer. I digress. At this point, Raymond and I are looking at our watches or at least, I’m asking him what time it is. I just can’t believe that this is Spike Lee just weeks after Sundance. He even said that he prays every night because he’s able to do what he loves. “Get the f— outta here!” Weren’t you just cursing the studio system and the black movie going audiences for people like Tyler Perry? Where was this Spike Lee?

By the close of the lecture, he’d told the story again about his list of celeb friends that he called to help him finish Malcolm X. He even talked about how Denzel Washington stopped eating pork, stopped drinking and learned Arabic a year before principle photography began. As if he’d just made Malcolm X last year. I love those stories of Black moviemaking, don’t get me wrong. 24 years after Spike’s grandmother helped him with “seed money” to make She’s Gotta Have It, I can’t help but wonder why Red Hook Summer had to be told. Red Hook Summer was mentioned only once in his hour-long conversation about his life up to Malcolm X. Then he just kind of stopped talking and opened the floor up for questions. Because I love young and eager minds, I wont comment on the type of self-indulging questions that came from the audience. No one asked about Red Hook Summer. Not one student, no one from the media. It was all so very weird. He made a loud declaration that Red Hook Summer would be out in August. He didn’t have a release date yet but it would be out in August. His voice kind of reminded me of him on the grounds of Spelman promoting the release of School Daze, except this time, I guess he doesn’t’ feel like he needs to explain.


· He doesn’t believe he’s made his best film yet. (one of the most intriging points of the evening)

· He’d still love to make the following biopics: James Brown, Jackie Robinson and Joe Louis.

· His grandmother helped put him through college with a fund that she contributed to for over 50 years.

· After making Malcolm X, he knew he’d never put himself in the position of allowing someone else to determine what’s important to him.

· He believes that parents can kill more dreams than anybody.

· He’d write letters as a Freshman at Morehouse College, to his mom who was an English teacher and she’d send then back with red edits.

· “Culo” means “Ass” in Spanish (he used this word several times in his lecture).

Again, thanks to Darralynn for the summary; if anyone else was present and had a different take/reaction to the evening, let me know. Send me an email (B).

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Spike is all too distracted with his beloved Knicks, the growing legend of Jeremy Lin, and his continual stream of tweets to distract him from the Red Hook Summer/Sundance debacle.

get these nets

good rundown

-think sometimes people in the blogosphere think that big issues and topics online are actually things people are concerned with offline

-the number 80 jersey is not a throwback…it's replica of Victor Cruz's jersey….BTW Cruz's background is EXACTLY what Mookie's son Hector from DTRT is, AA father..PR mother

-Spike not getting the greenlight or funding to do sequel to a commercial hit, Inside Man, seems to have really affected his spirit. Hit film……2 Oscar winners in the original…critical acclaim(for what that's worth)….and no go on sequel.


I wished somebody would have asked him what happens with OLD Boy. Last I heard nobody wants to do that film is his making it.


And for S & A fans I was going to be at the lecture last night, but the PR people co-ordinating the event screwed me one-on-one interview with Spike they promised me before the lecture. (They hurdled me in room with 40 other "interviewers" asking dumb questions.) So I left before the lecture began. But we managed at least to say hello to each other and I got him to autograph my Malcolm X blu-ray.


I believe that Spike is giving the same talk that he gives on his tour of HBCUs. I don't know if its official or not (him visiting HBCUs) but he was at Jackson State University a few months ago and pretty much said the same things (content-wise) that Darralynn shared.

I don't believe these are film talks, but more general motivational banter geared towards the young undergrad.

So, I don't think the Spike that some (who follow film) are expecting is the one that will be present at these schools. I also don't think its him being guarded but its him knowing the audience that he is speaking to.

Just as it was hinted in this write-up, the questions posed by the students, at the event for which I was present, were equally as vapid.

I'm willing to bet that he met the expectations of most in the audience.


Don't give up Spike. You will have a very rough year with nobody going to Red Hook Summer and its seems nobody wants to work with you with Old Boy. Keep trying and find your voice.


Thanks Darralynn! Although it seems he basically rambled, it's nice to hear that "he hasn't made his best film yet." No matter how you feel about Spike, when his work is good…it's really good! Can't say that about a lot of filmmakers.

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