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The First Book By A Black Author Adapted To Film By A Hollywood Studio Was…?

The First Book By A Black Author Adapted To Film By A Hollywood Studio Was...?

No, Oscar Micheaux doesn’t count in this case, because, again, I’m only considering books that have been optioned and adapted by Hollywood studios.

A headscratcher… so I went through a few books of mine that cover black film history, notably books by Donald Bogle, bell hooks, Manthia DiawaraEd Guerrero, and others. And I think I found the answer within the pages of Guerrero’s Framing Blackness: The African American Image In Film (a recommended read if you haven’t read it already).

On page 28, in the chapter titled Hollywood’s Inscription Of Slavery, Guerrero mentions a 1946 book by African American author, Frank Yerby, titled, The Foxes of Harrow.

Guerrero doesn’t explicitly state that the book is indeed the first by a black author to be adapted by a Hollywood studio (20th Century Fox in this case), so I wasn’t immediately certain. Naturally, I looked up Yerby and the book to find mentions on a number of sites (Wikipedia, IMDB, The New Georgian Encyclopedia, and others) that all say Yerby was the first African American author to see his work adapted to film by a Hollywood studio.

So what’s this book about?

Well, first, it’s worth noting that it was a best-seller; it centered on “an Irish rascal and inveterate gambler who wins a vast estate while gaming in New Orleans.

In 1947 John M. Stahl directed a film based on the book, which starred Rex Harrison and Maureen O’Hara. It was nominated for an Academy Award for Best Art Direction.

The novel the film is based on appears to be out of print, although you can buy early editions from resellers via as I learned.

The film isn’t readily available either; the only site I found it on was on Amazon, but it’s the Spanish version, in region 2. It’s definitely not on Netflix. Maybe try eBay.

Clearly, the book’s story isn’t centered on black people, which would partly explain studio interest at the time; as for its content… in Ed Guerrero’s book, he praises the film (not necessarily Yerby’s book), as one of a number of 1940s movies that “increasingly sensitized Hollywood to the African American perspective on slavery…” He highlights 2 scenes from the film as examples of an “undercurrent of… cultural resistance to slavery and Christianity.

In the first, slaves are shown practicing a voodoo ceremony; and in the second, a black mother throws herself and her baby into a river to avoid having to go on living in slavery (almost as if addressing the scene from Birth Of A Nation, when the white woman jumps off a cliff to avoid submitting to a black man).

So, clearly there were subplots involving black people. But, as I said, that was the movie adaptation, not the book.

With regards to the book, I found this piece in the New Georgian Encyclopedia: “Yerby was often criticized by blacks for the lack of focus on or stereotypical treatment of African American characters in his books. Thus, ironically, while Yerby held the distinction of being the first best-selling black novelist, he also became one of the most disparaged for his lack of racial consciousness. In response to this criticism, Yerby argued that “the novelist hasn’t any right to inflict on the public his private ideas on politics, race, or religion.” He later amended this stance to a degree, and in the late 1950s and 1960s he wrote novels that touched upon issues of race and southern culture…

Hmm… alright. Noted :)

Yerby died in 1991 by the way. He was 75 years old.

The above photo was taken in 1983.

This Article is related to: Features


Curtis Caesar John

I'm actually in the middle of finally FULLY reading 'Framing Blackness', though I actually read a brief mention of this info somewhere else prior to that. Nonetheless, thanks man for the thorough info. It was great getting this info on here.


Caught it some years back on the Fox Movie Channel. Not sure if they have shown it recently. You might contact them and request it. Content and theme aside, it's a sloooow paced movie. The black and white cinematography doesn't help either. It's a poor man Gone With The Wind that strays a great deal from Yerby's book. Don't forget that Willard Motley's Knock On Any Door (1947) and Let No Man Write My Epitaph were both turned into motion pictures. Colombia's Knock On Any Door (1949) starred Humphrey Bogart and John Derek.


Here are two more literary moments from my timeline of African American women filmmakers –

1922 – Helen K. Perry – The Chicago public school teacher’s screenplay Romany Road won one of 40 prizes offered by the Chicago Daily News. Over 20,000 manuscripts were entered into the competition judged by D. W. Griffith, Norma Tamladge, Charlie Chaplin and others. Perry won $500.
1953: Mary Elizabeth Vroman. – Adapted her short story Bright Road into a screenplay that was picked up by MGM, starring Dorothy Dandridge and Harry Belafonte. She became the first black woman to gain membership into the Writers Guild of America.


Agree. Great job. Didn't know of the book or the movie. You'd think this information would be mentioned more considering the big name talent and Oscar nomination for the adapted film.


Interesting. I love learning about black film history. Theres no real place yo learn about stuff like these small facts that inform where we are now and where we've been. I appreciate that from S&A.

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