Week Four: Precursors: TV, Cinema, Contemporary Art
There is a a tradition of “Videographic Film Studies” that existed before the Internet. Some TV channels, like the West-German WDR, but also TV programmers in other countries, initiated an impressive variety of programmes on cinema that combined thorough analytical observations with an inventiveness of visual forms and techniques. Found footage has also been used in experimental cinema and contemporary art. Most examples of this audiovisual legacy remain either overlooked or invisible as they are stacked away in archives or private catalogues. For this reason, this episode mostly gathers fragments and snippets instead of entire essays.
Christian Marclay (1995)
Christian Marclay’s “Telephones” (1995), a 7 1/2-minute compilation of brief Hollywood film clips that creates a narrative of its own. These linked-together snippets of scenes involve innumerable well-known actors such as Cary Grant, Tippi Hedren, Ray Milland, Humphrey Bogart and Meg Ryan, who dial, pick up the receiver, converse, react, say good-bye and hang up. In doing so, they express a multitude of emotions–surprise, desire, anger, disbelief, excitement, boredom–ultimately leaving the impression that they are all part of one big conversation. The piece moves easily back and forth in time, as well as between color and black-and-white, aided by Marclay’s whimsical notions of continuity.
– From description on YouTube
Volker Pantenburg is assistant professor for moving images at the media faculty of the Bauhaus-Universität Weimar.