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Review: Danny Boyle’s Witty, Subversive & Spectacular Opening Ceremony For London 2012 Olympics Was A Triumph

Review: Danny Boyle's Witty, Subversive & Spectacular Opening Ceremony For London 2012 Olympics Was A Triumph


We're not known for our love of sporting events here at The Playlist, but ever since it was announced that Danny Boyle would be the man in charge of the opening ceremony of the 2012 London Olympics (following in the footsteps of "Hero" director Zhang Yimou, who shepherded the Beijing events), we've been intrigued. After all, Boyle, as a recent Oscar winner for "Slumdog Millionaire," is a serious A-lister now, and could get any film he wanted made. And while he's kept his oar in, shooting thriller "Trance," with James McAvoy, last year (he'll finish post-production on it once the Olympics are done), it did mean giving over a year or so of his life to the event at a time when he's never had more cachet.

And Boyle had a particularly tough act to follow, given that the Beijing opening ceremony in 2008 was generally deemed to be the most spectacular ever, with 15,000 participants, and a budget of over $100 million. Could Boyle even hope to compete, with a quarter of the budget and a tenth of the volunteers, and make not only a home country that's not easily impressed happy, but also entertain a billion viewers around the world as well?

Yes, as it turns out. The director knocked it out of the park with a gloriously indiosyncratic spectacular that didn't try to beat Beijing at the same game, but instead emphasized a very British group of values that also felt like something from Boyle through and through.

We have to confess that we were going in expecting disaster. Boyle had unveiled his set a few weeks back, a pastoral mound that, as Jon Stewart described, looked like the Teletubbies inhabited it. And the warm up, featuring real livestock (12 horses, three cows, two goats, 10 chickens, 10 ducks, nine geese, 70 sheep and three sheepdog), a ferris wheel and a period-dressed villagers, didn't inspire a huge amount of confidence; it looked, to be frank, like Hobbiton.

But if you were listening carefully to musician Frank Turner, who played his song "I Still Believe," you might have picked up a couple of hints of what Boyle was really intending. Two lines stand out. First, "come ye, come ye, to soulless corporate circus tops," the first suggestion of a subversive quality that would run throughout. And then the song's chorus, "Who'd have though that after all, something as simple as rock & roll would save us all."

We didn't have to wait long for the rock'n'roll; a video tour of Britain contained snippets of "London Calling" and the Sex Pistols' "God Save The Queen," boldly, and plenty more was to come. After Tour-De-France cyclist Bradley Wiggins rang the bell, Kenneth Branagh (a last minute replacement for stage star Mark Rylance, who pulled out after a family tragedy), as pioneering engineer Isambard Kingdom Brunel, complete with top hat and a non-PC cigar, emerged to read Caliban's speech from Shakespeare's "The Tempest," beginning "Be not afeard. The isle is full of noises."

And suddenly, the huge tree atop the mount lifted up, and that pastoral landscape, which Boyle had cheekily suggested would be the setting for the whole show, was ripped up, as the industrial revolution got underway. Huge chimneys were erected and an enormous forge was revealed, just as suffragettes took to the field too, all to a thumping score by Boyle's "Trainspotting" colleagues Underworld. After a moment's pause for the dead of the two World Wars, symbolized by a single poppy, the drummers started up again, and a group in Sgt. Pepper jackets took to the field, along with a boat symbolizing the first West Indian immigrants to British shores, Chelsea pensioners and Cockney pearly kings and queens.

On the surface, it again felt Tolkien-inspired (the scouring of the Shire and all), but if anything, there was less ambivalence than you might expect; this was the glory of progress that came with technology, rather than a lamenting for an England that never was. Looking forward, rather than back, as it were — if anything else, the biggest theme of the show. At the same time, there was something a little sinister about the whole thing, not least the marked, scarred appearance of the ground.

As one giant golden ring was forged and elevated, four others were flown in from across the stadium, and formed the Olympic symbol, which then poured sparks and fire over those watching. As one saw the close-up of the fire reflected in the goggles of a masked forger, one can only imagine that Boyle had a hand in the direction of the broadcast as well as its content; it was a highly filmic shot, and the cinematic quality carried across the show as a whole.

As the smoke settled, we then got a pre-recorded film starring James Bond and Queen Elizabeth II, of all people. We've already discussed that (and you can watch it here), but it also signified something that set Boyle's ceremony apart; for the first time ever, the opening of the Olympics was funny. Not high comedy, exactly, but between this, and the surprise appearance of Rowan Atkinson, with a Mr. Bean-ish routine during a performance of Vangelis' "Chariots Of Fire" theme tune, it was refreshing, and entirely in keeping with the British sense of humor; a little self-deprecating, a little silly.

Then came the single weirdest section, but the one that made our heart soar the most. In front of a billion people, Boyle devoted ten minutes to honoring Britain's National Health Service, with a dance routine performed by children, and real-life doctors and nurses, in front of a government that's trying to dismantle free healthcare in the country (Culture Secretary Jeremy Hunt was said to be fervently opposed to the sequence). It was a glorious moment, one that no one but Boyle could have snuck it in, and it got even stranger when J.K. Rowling appeared to read a section from "Peter Pan," and it shifted to be about the power of children's literature, with appearances from Voldemort and Cruella DeVil (and seemingly, the creatures from "Attack the Block" too), describing both the illicit thrill of being scared by their characters, and the comforting power when their heroes win out, evoked by an army of Mary Poppinses floating down in umbrellas.

After Mr. Bean's section, Boyle essentially staged a rom-com with a cast of thousands in the middle of a stadium, paying tribute to British film, music, comedy and the ordinary family, while following the flirtations of a guy and a girl across a nightclub with music that spanned The Beatles to rapper Dizzee Rascal, who appeared live for his track "Bonkers;" a song with the chorus 'Some people think I'm bonkers,' which much of the worldwide audience must have been applying to Boyle, and Britain in general, by this point (we watched the ceremony in Bow, East London, about a 5 minute walk from the stadium, and when Rascal, a native of the area, appeared, cheers echoed from every house in the street).

We were totally onboard with the musical (The Specials! Bowie! New Order!) and film choices ("Kes!" "Gregory's Girl!" "A Matter Of Life And Death," arguably the best British film ever made!), and there continued to be some wonderfully subversive moments, like the performers signifying the coming of the rave era by forming into the shape of a giant Ecstasy tablet-smiley face (again, in front of a billion people), or a young boy in a dress, accompanied by a clip of the cross-dressing best friend from "Billy Elliot." But we have to say that the rom-com sequence, with its "Sherlock"-style on-screen texts, felt a little condescending, and was perhaps Boyle's major misstep of the night.

That said, it did pay off beautifully in a couple of ways. Firstly, the section concluded by revealing Sir Tim Berners-Lee, the man essentially responsible for inventing the Internet. But Boyle didn't emphasize patriotic pride at that moment, but instead the way that Berners-Lee didn't make billions off his creation, but gave it to the world, broadcasting his message 'This Is For Everyone." And in a world where everything from romance (the kiss of Boyle's couple being accompanied by clips from among others, "Wall-E," "Planet Of The Apes" and the first on-screen lesbian kiss on British TV) to national revolution has been changed by the internet, it's a fine message to let the audience dwell on (and again, it allowed Boyle to let his socialist, humanist agenda sing out).

It was also another moment in which Boyle spelled out that the ceremony was not about looking to the past, but looking to the future — focusing on young people, the music they've listened to across the last half decade, and the way they live their lives today, and will continue too. And later in the ceremony (after a moving, quiet tribute to the victims of the 7/7 bombings, which took place the day after it was announced that London would host the Olympics, the athlete's parade, and a storming performance by Arctic Monkeys, again showing Boyle's top-notch musical taste), Boyle brought his message home.
 
Speculation had been rife throughout the ceremony about who would be responsible for lighting the Olympic cauldron. Roger Bannister, who ran the first four-minute mile, in 1954? Steve Redgrave, the rower who stands as the only man to have won five gold medals at consecutive Olympic games? But again, Boyle was looking forward. Redgrave took the flame into the Stadium, after David Beckham drove it in on a speedboat (!), but rather than lighting the major torch himself, passed it on to seven other great British olympians, who, with Redgrave, in turn passed the flame on to eight promising young British athletes. They then lit individual torches brought on by every competing nation, which then came together (to paraphrase the Beatles song covered by the Arctic Monkeys not long before) to form one giant torch. Both in its hope for the future, and its summing-up of the Olympic spirit, it was the perfect metaphor, and a genuinely moving moment.

Danny Boyle (and all those who helped him) managed to do the impossible. He banished thoughts of cynicism and gave Britain something to be proud of, putting their sports, their music, their film, their literature, and even their healthcare system, front and center. But he also created a vision both personal and deeply weird, yet also universal. And it was enormously entertaining too. We hope there are many great films to come from the director, but this may stand as his finest achievement. [A] 

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Comments

Mario C.K.

The ceremony was really boring, with all those prerecorded videos (some of them a cheap version of the ones that appear in the Oscars night, others more suitable to the Eurovision Song Contest than to the Olympics), confusing content for non british viewers… I was expecting the show to be a memorable one but… what a dissapointment. Maybe it was due a low budget but twenty something million pounds doesn't seem cheap… Hope they do better at the closing one.

Fred Fudge

The smiley face wasn't an ecstacy reference. It's a child's face with a tear, and it's the logo of the Great Ormond Street Hospital (the acronym GOSH beneath it). A little research is always useful … http://en.wikipedia.org/wiki/2012_Summer_Olympics_opening_ceremony will help you out.

Impartial_Guy

What a loud of rubbish. Worst opening ceremony in living memory and totally crass, lacks artistic merit and amateurish like a poorly edited home video that would embarrass Harry Hill.

sheila

Never have I seen a prouder time for Great britain. Danny Boyle produced a 'people pleaser' and a monumental display of Great Britain's part in the evolution of world – that will prove iifficult to match. He brought together mind, body and souls of peoples all over the world. All nations must have felt the warmth of that welcome. Even if they were oblivious to the tributes, -it was the rightly called 'The Greatest Show on Earth.' I don't know if he realises the influences he has shed upon old and young – yet! My mind went back to the war years and how a tiny island united to defeat a rebel that threatened our future. You showcased us a strong, formidable body of people to be reconned with. You did us proud Danny and from a people's perspective. Magic!

jingmei

I missed it. But learned Arctic Monkeys in that as well, have to makp up.

Brenda

That was horrible. When the commentator stated they actually put a sulfur smell in the air so it smelled like a factory – I just had to laugh. Man I can drive thru Gary and open my window and get a whiff – all that for free. But who would want to? China was a hard act to follow but in four years anything will top this fiasco.

Drew Taylor

Easily the Britishest thing Oli has ever written. Well done sir! I too loved it.

Todd

Sorry, I was dissapointed of this opening. I love some parts -James Bond sequence-, but I loathe others -The music references and the stupid reference of "love from a cell phone" look like a "hommage" of MTV. Again, maybe I'm biased, but I remember the beauty and resemblance from Athens and the colorful show of Barcelona and this didn't look memorable or beautiful for international audiences. Even i love more the Pan American Games' opening shows in Rio and Guadalajara.

Lucy

I really enjoyed it. I loved the part where they took the meadow away and all those workers came out from the tree after Kenneth said the quote from The Tempest, the music was outstanding during that entire thing and I loved the rings. It kind of reminded me of the LOTR. The only thing I didn't like that much was the blow up Voldemort, Hook, and the creepy baby during the hospital part. The creepy baby was well just creepy. I loved seeing JK Rowling though. :)

Glass

I loved it, but there's a total divide I see with Brits and the rest of the world – for the most part, British people were jizzing their pants over it, but the rest of the world was pretty much saying 'meh.' or 'wat.' And Danny Boyle's twitter went from 6,000 followers to 111,000 in one night.

Brett

So, the Playlist, a blog that likes to think it focuses on music and movies totally neglected to mention Paul McCartney closing the ceremony? Arctic Monkeys get a mention for covering a Beatles song, but when an actual member of the original group sings "Hey Jude" we totally miss it. Wow.

jessie

A spectacularly messy, fun, overview of the 20th century. The Olympics don't need reverential
treatment, they represent humanity at their worst and their best. Danny Boyle, crowd handler
extraordinaire, did the job! What's next? Can't wait to see…

Michael

I thought it was awful. I actually did enjoy the post-apocalyptic industrial nightmare part of it, but the Bond/Queen sequence and the Mr. Bean parts were the absolute worst. I also did not enjoy the silly text message dance sequence. I'm not a Boyle fan so I guess I shouldn't be surprised, but the whole thing looked like something Mr. G from Summer Heights High would have staged.

Nanda

It was fantastic… Visually stunning. I love every moment and so did my family and friends. We enjoyed all the English cultural references and were so impress with how imaginative the show was. After all is taking place there so it fitted it perfectly. Unique and entertaining.. Yes, very memorable and lovely indeed.

Real

It was phenomenal. It wasn't perfectly synchronised and sanitised but it was beautiful, memorable, imaginative, fun and we had the best damn music of any Olympics ceremony EVER especially that incredible Underworld/Dame Evelyn Glennie piece during the fantastic Industrial Revolution and forging of the rings sequence.

It was so British and I'm sure half the world were scratching their heads at various references-still can't quite believe we got a clip from underapprecaited 'Desmond's', the infamous Brookside lesbian kiss or the "Going for an English" skit fromGGM to name but a few!-but I loved it. Danny Boyle and all involved especially the thousands upon thousands of volunteers did us proud.

But BBC please sort your camera angles out. We missed out on a lot of the incredible visuls becasue of some bizarre camera choices.

Alonso

Can't believe the motherfucking DOCTOR wasn't involved in the show somehow. Hell, even the Tardis would have worked somewhere in all that.

Silk

It was awfull… A terrible opening! Without history and honnor!

BigBelly

During the Industrial part: Where were the dying children who worked the factories? Why weren't dead children actors carried out of the stadium? Where were the men who died young from work-related illness, who left their wives and children penniless without homes? Where was the artistic expression for the vast air and water pollution that still surrounds Great Britain. No wonder they needed to show their children's health system. Danny Boyle: this was a career killer.

Lincoln

Also, anyone want to bet it will be SIR Danny Boyle by the end of the year?

Tom

"Triumph"? God, you're so pretentious. Who calls things "a triumph" in the real world? It was like watching a bad Lord of the Rings trilogy stage play. I cringed and felt embarrassed for the Brits all night. I don't know what was worst — Paul McCarthy's scratchy, terrible singing at the end, or the inclusion of their silly Queen. God God, UK, grow up and join the rest of the 21st century, will ya?

Lincoln

Has anyone been able to confirm whether that was indeed The Mighty Boosh's Noel Fielding as the Childsnatcher?

Sexton Blake

Take that, Mr Romney!

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