The Toronto International Film Festival rolled out 60 additional titles today. Here are some of the women directed films in the documentary and vanguard programs. (All Synopses from the TIFF press releases)
As if We Were Catching a Cobra Hala Alabdalla, Syria/France World Premiere
Initially intended as a documentary foray into the art of caricature in Egypt and Syria, when the insurgencies break out in both countries, Syrian director Hala Alabdalla ends up drawing an electrifying, intimate, passionate film on the fearless tenacity of Arab artists fighting for freedom and justice.
The Central Park Five Ken Burns, David McMahon and Sarah Burns, USA North American Premiere
The Central Park Five tells the story of how five black and Latino teenagers were wrongly convicted of raping the Central Park Jogger and how a rush to judgment by the police, media clamoring for sensational stories, and an outraged public contributed to that miscarriage of justice.
First Comes Love Nina Davenport, USA World Premiere
With the bracingly honest, occasionally hilarious and ultimately moving First Comes Love, Davenport examines husband-free parenthood. From hormone injections to post-natal chaos, Davenport chronicles her own pregnancy — including her conventional family’s reaction to it. She reflects upon a rapidly changing world, providing a wry and insightful play-by-play that keeps the viewer tuned in and transfixed by the topsy-turvy state of modern reproduction.
No Place on Earth Janet Tobias, USA/United Kingdom/Germany World Premiere
While mapping out the largest cave system in Ukraine, explorer and investigator Chris Nicola discovers evidence that five Jewish families spent nearly a year and a half in the pitch-black caves to escape the Nazis. This is the story of the longest uninterrupted underground survival in recorded human history.
Roman Polanski: Odd Man Out Marina Zenovich, USA World Premiere
In 2009, celebrated director Roman Polanski was arrested at the Zurich Film Festival. His weekend jaunt turned into a 10-month imprisonment. Zenovich’s follow up to Wanted and Desired — which some say was one of the reasons for Polanski’s arrest — explores the bizarre clash of politics, celebrity justice and the media.
Shepard & Dark Treva Wurmfeld, USA World Premiere
Remember when close friends corresponded by letters? When intimate thoughts about life, family and mortality were hand-written or typed on the page, with full thought given to every word? This is the kind of friendship that Sam Shepard and Johnny Dark had.
90 Minutes Eva Sørhaug, Norway World Premiere
Director Eva Sørhaug (Cold Lunch) reveals the rage and violence lurking beneath seemingly tranquil domesticity in her bold and uncompromising sophomore feature.
Peaches Does Herself Peaches, Germany World Premiere
On the advice of a 65-year-old stripper, Peaches makes music that is sexually forthright. Her popularity grows and she becomes what her fans expect her to be: transsexual. She falls in love with a beautiful she-male, but Peaches gets her heart broken and has to realize who she really is. Described as an anti-jukebox musical. Peaches writes, directs and plays the role of Peaches herself.