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French Drama ‘Rengaine’ (Muslim Woman Falls For Black Christian Man) Gets A First Trailer

French Drama 'Rengaine' (Muslim Woman Falls For Black Christian Man) Gets A First Trailer

Recapping Vanessa’s post on this film earlier this month…

From France-based Algerian/Sudanese filmmaker Rachid Djaidani comes the feature film Rengaine (Hold Back), which premiered in the Directors Fortnight and the International Critics Week sections, at this year’s Cannes Film Festival.

Described as a “Paris-set twist on Romeo and Juliet,” Hold Back stars Slimane Dazi as Slimane, the eldest of 40 Arab Muslim brothers to Sabrina (Sabrina Hamida), a young North African woman. Slimane is disgusted by the rumors of his sister’s engagement to a Black Christian French man named Dorcy – played by French actor Stephane Soo Mongo (2009’s Neuilly sa mere!). Conflict ensues as Slimane begins a frantic search for his sister in Paris.

Here’s the full synopsis:

In present-day Paris, Sabrina (Sabrina Hamida), a young North African woman, falls in love with Dorcy (Stéphane Soo Mongo), a black Christian trying to make ends meet as an actor. They plan to get married, but when rumour gets out about their engagement, Slimane (Slimane Dazi), the eldest of Sabrina’s 40 brothers, is disgusted that his Arab Muslim sister would consider such a union. He is determined that Sabrina should stay faithful to familial and community traditions, and traipses the city in search of her. From this starting point, the first full-length feature from French novelist and actor Rachid Djaïdani develops into a provocative, freewheeling analysis of attitudes to race and religion in modern-day France that’s pertinent and relevant beyond the country. Presented in an appealingly raw style that nods to John Cassavetes, Hold Back is fearless, inventive filmmaking featuring frequent moments that surprise and disarm.

The film, which took 9 years to make, will screen next at the 56th BFI London Film Festival

A first trailer has surfaced, and it’s embedded below (it’s in French, and not subtitled). Underneath, you’ll find several still and the film’s poster.

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Between this film and Walls of Leila, why are directors or writers afraid to explore the road not traveled or go against the grain? I'm tired of films where the black man is the pariah or outcast. Why can't it be the other way around? For once, I'd like to see a film where the lead character is a black man who comes from prominence but finds love in some wretched women of a different culture/race/ethnicity. This film is stereotypical. Why does the black man always got to be thrown under the bus?

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