It’s that time of the year, as prognosticators at every level start handicapping the Academy Awards, which are set to take place on February 24 (nominations will be announced on Januray 15, 2013).
As much as some of us might dismiss the Oscars as an indication of where black cinema is, or where blacks in cinema are, we can’t ignore their overall industry relevance.
I can already hear the chants: who cares about the Oscars; they’re not for *us.* Well, a lot of folks in the industry (and out) do certainly care, and see value in the recognition. I plan to post a follow-up piece that looks at the history of the awards show, and how (or if) it’s impacted the careers of those black entertainers who’ve won trophies.
Last week, I focused on black actors who just might make the short list of Oscar nominees in the Best Actor (male) category when they’re announced in January (read that post HERE if you missed it); this week, my focus is on black actresses and the Best Actress category.
And just like the list of eligible black actors in the Best Actor category, the list of eligible black actresses for the Best Actress Oscar is very short – even shorter than the list of eligible black actors.
Of the 600+ films that will have seen Oscar-qualifying USA theatrical releases by the end of this year, I counted a total of 11 that feature a black actress in a leading role. Doing the math, that’s less than 2% of total volume (the black actors list was at 21).
It shouldn’t be shocking however; it’s a rare occurrence when we cover a film (especially a studio-backed project) that stars a black woman, or a film with a story that centers on the life of a black woman. Very, very, very rare.
And actually, it’s really less than 11, because I’m also including indie features in that number; and some of the titles aren’t really centered on a black woman character, but feature a black actress in a prominent role; however, likely not one that she’d get a Best Actress nomination for.
In other words, I’m stretching here! If I were to be really strict, the figure would be closer to 6 or so.
As I said last week, it most certainly is a white man’s world, in case you needed that clarification. The overwhelming majority of films made and distributed by studios today, star white male actors.
And if you take a closer look at the list of 11 films, you’d very quickly dismiss most of them as potential Oscar contenders, given what we know of the criteria for Oscar-caliber movies. In fact, I’d say of the 11, only 2 really stand a chance of making the short list of nominees for Best Actress.
First, here’s the list of 11: Think Like a Man, Woman Thou Art Loosed!: On the 7th Day, Joyful Noise, Sparkle, Cloud Atlas, Beasts of the Southern Wild, Won’t Back Down, Celeste and Jesse Forever, Middle of Nowhere, Dysfunctional Friends, and Django Unchained.
Automatically, we can eliminate ensemble cast films like Think Like A Man and Dysfunctional Friends, because, well, they’re ensemble cast movies, and I can’t say that any one character in those movies really stands head and shoulders above the rest, or is highlighted more-so than the others.
We can also say goodbye to films like Django Unchained, Cloud Atlas and Won’t Back Down. Again, while each features a leading female character played by a black actress, I’d say that if any of the actress performances in these films were to be nominated, they’d likely be in the Best Supporting Actress category.
So that leaves us with Woman Thou Art Loosed!: On the 7th Day, Joyful Noise, Sparkle, Beasts of the Southern Wild, Celeste and Jesse Forever, and Middle of Nowhere.
And from that list of 6 remaining, based on the performances of each film (in terms of criteria like box office, critical acclaim – reviews, awards already won – overall awareness – especially where it matters – and awards season buzz), it shouldn’t at all be difficult to narrow the 6 down to 2: Quvenzhané Wallis for her performance in Beasts Of The Southern Wild and Emayatzy Corinealdi for her work in Middle Of Nowhere.
And of the two young actresses, based on what the so-called experts on these matters are saying, as I look through several of their projections lists, I’d say that Ms Wallis has the edge over Emayatzy; and not necessarily because she gives a better performance. These are two very different performances (ostentatious versus understated) in 2 very different films. But one crossed over quite early on, and won over audiences widely – a splashy kind of an intro that only seemed to pick up steam beyond that – while the other seemed to gradually, deliberately, if quietly, build momentum.
And it could also be a matter of allotted marketing budgets for each.
Interestingly, both campaigns seemingly take on the personalities of the films themselves.
But maybe there’s room for both of them on the short list of 5 nominees. However, despite all the certainty among the pros that Wallis is practically a sure-thing, I’m still not entirely confident about that, and probably won’t be until the nominations are actually announced. Nothing’s a guarantee, and we just might be surprised to see an all-white list of Best Actress nominees.
Their competition at this point, based on an aggregate of several top lists I’ve looked at are: Jennifer Lawrence for Silver Linings Playbook (several say she’s the front-runner); Marion Cotillard, Rust and Bone; Emmanuelle Riva, Amour; Naomi Watts, The Impossible; Helen Mirren, Hitchcock; of course, you can never count out Meryl Streep, Hope Springs; Keira Knightley in another period piece, Anna Karenina; Jessica Chastain, Zero Dark Thirty; Judi Dench, The Best Exotic Marigold Hotel; Mary Elizabeth Winstead, Smashed; and Laura Linney, Hyde Park on Hudson.
There were others, but these were mentioned most often – especially the first few.
I did see some mention Viola Davis for Won’t Back Down as a potential; but, as I said in my write-up of that film, it really was Maggie Gyllenhaal’s story, as far as I’m concerned. Viola Davis was more of a supporting character in that film. But I don’t think any of that matters anyway, because the movie wasn’t well-received, critically and commercially. Any mentions of a potential Viola Davis Best Actress nomination here, I’d say are maybe more of a nod to her past work and ability, than to her performance as a rather uninteresting, and underwritten character, in what was ultimately a forgettable movie.
There was at least one mention of Rashida Jones in Celeste And Jesse Forever; but, despite good reviews, it didn’t quite register at the box office, and there’s just not enough buzz around the film, or any of the performances, that draw Academy attention to her.
The last time a black actress was nominated for the Best Actress Oscar was Viola Davis, for her performance in The Help, last year. The last time 2 black actresses were nominated for Best Actress in the same year was in 1972, when Diana Ross (Lady Sings the Blues) and Cicely Tyson (Sounder), both were on the short list; although neither of them won. And that was the ONLY time in Oscar history that more than 1 black actress has been nominated in that category.
The last time a black actress WON the Oscar for Best Actress was… this should be easy, because it’s only happened ONCE in history… Halle Berry for her performance in Monster’s Ball, in 2001 – 11 years ago.
And it looks like that *streak* (if we can call it that) will continue next year, unless a black actress wins the award in 2013.
Still a long way to go…
Any glaring ommissions on my part here, in terms of potential black Best Actress nominees…? Madea, maybe? Thandie Newton in Good Deeds? Nah… probably neither.