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Baz Luhrmann’s ‘The Great Gatsby’ To Open 2013 Cannes Film Festival

Baz Luhrmann's 'The Great Gatsby' To Open 2013 Cannes Film Festival

After years of faintly disastrous picks that meant the reputation of the Cannes opener was somewhat sullied, the festival, the world’s most prestigious, has stepped up its game in the last few years. Of the last four years, three of the Opening Night films — Pixar‘s “Up,” Woody Allen‘s “Midnight In Paris” and Wes Anderson‘s “Moonrise Kingdom,” went on to see wide acclaim and success around the world (the outlier, Ridley Scott‘s “Robin Hood,” which kicked off the festival in 2010, not so much).

It remains to be see whether the 2013 opener matches their success, but it’s certainly going to be as high profile as the previous films, as organizers have announced, per The Hollywood Reporter, that Baz Luhrmann‘s eagerly anticipated adaptation of F. Scott Fitzgerald‘s “The Great Gatsby” will get the festival going on May 15th.

The film had been heavily rumored for the slot for some time; although it opens in the U.S. the week before, and in France on the same day, it’s the kind of prestigious, glittery launch that would do the film a lot of good on the international scene, as well as mirroring Luhrmann’s “Moulin Rouge!,” which opened the festival in 2001. It’s expected that the director, stars (including Leonardo DiCaprio, Carey Mulligan, Tobey Maguire, Joel Edgerton, Isla Fisher, Jason Clarke, and Bollywood legend Amitabh Bachchan), and Jay-Z, who’s behind the music for the film, will all attend.

“It is a great honor for all those who have worked on ‘The Great Gatsby’ to open the Cannes Film Festival,” Luhrmann said in a statement. “We are thrilled to return to a country, place and festival that has always been so close to our hearts, not only because my first film, ‘Strictly Ballroom,’ was screened there 21 years ago, but also because F. Scott Fitzgerald wrote some of the most poignant and beautiful passages of his extraordinary novel just a short distance away at a villa outside St. Raphael.”

So is this a good indication of the quality of the film? Or perhaps just a star-studded stop on the publicity tour? It’ll be more comforting if we find out that, as with “Moonrise Kingdom” last year, the film is also in competition at the festival, but that’s a relative rarity, and one that we’d be surprised to see repeated this year. Still, it won’t be long ’til we find out how the film turns out when it opens in the U.S. on May 10th. No matter what, we’re sure the after party will be something special…

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kindred spirit

I was invited to a screening a few months back and while it was still in very rough stages, from what I saw it was very well done. For those who hate Baz's style, stay far away. The acting is pretty excellent across the board- but I suspect most attention will be paid to Joel Edgerton and Carey Mulligan, whom both myself and my guest agreed were the standouts. Start your Oscar balloting now, because this one is definitely in the race (and hopefully even more so with all the effects added).


Actually I'm a really bad feeling when I heard that it's only about 70 min RT

Alan B

I have no idea whether the film will be good or not, but I suspect it will be killed in France. 'Midnight in Paris' and 'Moonrise Kingdom' were well-liked, relatively small comedies, whilst 'The Great Gatsby' is a gargantuan epic/drama/satire by a director not known for his subtlety. French and international critics will have a field day on the film, especially since it seems just as big and bloated as 'Australia'. That film had a fairly mixed reception, which is very kind for the ridiculous and irresponsible spending. Considering he went over-budget again, I don't think critics will be as kind, especially as he is taking on an American classic. I get why Luhrmann and co. want to do this: they want to eliminate any bad buzz the rescheduled release date has inspired, and they feel a Cannes premiere (with solid reviews) can do that. Luhrmann always thinks big. I respect that. However, I can't see Luhrmann repeating his 'Moulin Rouge' success, especially since he didn't seem to learn his lesson about fiscal responsibility from 'Australia'.


my birthday is may 19

the cannes film festival starts may 15
can't wait to read the reviews as they happen :)

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