The highest profile release of the week, Sam Raimi’s “Oz: The Great
and Powerful” is also the most divisive. If you think about it, it’s not too surprising. Sam Raimi built a dedicated cult following,
largely due to his “Evil Dead” trilogy, and went on to superstardom directing the “Spider-Man” franchise. So a popular/cult filmmaker, directing a prequel to a book franchise that spawned what may be the
single most beloved film of all time in “The Wizard of Oz?” That’s a recipe for division.
A very successful recipe, too. Check out that Criticwire page
one more time and look at the Grade Snapshot. It’s almost a perfect bell-curve,
one mostly full of conflicted indifference with occasional strong
feelings. What, specifically, is causing the big divide? For one, any time you
tackle something like “The Wizard of Oz,” there is bound to be a built-in
fanbase, some of whom may not want that famous mythology tampered with. But it goes much further than
that. There are arguments about visuals, arguments about story, arguments about the
effectiveness of the performance, and implicit debates about auteurism.
pretty fascinating stuff, stuff that cannot be captured in a series of pull quotes,
so I encourage you to click through to read the full reviews and get a
bigger picture of what is going on here. That said, here is a glimpse at each side of the divide.
PRO: Man, those colors sure do look good!
“It looks nothing short
of spectacular. With nearly two years in production, and a budget reported to
be in the range of $200 million, the amount of time and money spent is
definitely up on the big screen.” — Kevin Jagernauth,
CON: …but rarely as
good as a 74 year-old film.
Great and Powerful’ only occasionally accomplishes what its predecessor did
over 70 years ago with only matte paintings, trick cinematography, imaginative
sets, clever costumes and makeup, and that most famous transition of color
palettes.” — Mark Dujsik, Mark
full of good performers.
“Williams, Kunis and
Weisz ably add old-fashioned charisma to a world both beautiful and
distractingly artificial. These ladies have green-screen presence, a useful
talent for this filmmaking age.” — Beth Hanna, Thompson
“Most of the problems
stem from the casting: Franco is a distinctly uninspiring Oz…Equally off-key is
Mila Kunis…Rachel Weisz and Michelle Williams…are ultimately no more than
action-figure props made to engage in by-the-numbers showdowns.” — Keith Uhlich, Time
Out New York
PRO: It has good
control of its tone.
CON: …but it has no story.
PRO: ‘Oz’ is more than
a prequel; it’s also a love letter.
“In a way, then, Raimi
and his writers aren’t just paying homage to ‘The Wizard of Oz;’ they’ve made a
hero of the first movie director, one who uses those flickering illusions to
change the world.” — Alonso Duralde, TheWrap
CON: …or maybe Raimi completely
folds on it.
How do you feel about a revision of “The Wizard of Oz?” How
did Sam Raimi balance the old with the new? Do the visuals overcome a
questionable script? Feel free to weigh in about “Oz: The Great and Powerful” below.