NEW AND NOTABLE FILM BOOKS

NEW AND NOTABLE FILM BOOKS

As always, there are more new film books than I have time to
digest, but it’s been a while since I posted a survey, so here we go. As usual,
these notices are based on skimming, rather than careful reading, these recent
publications…but I feel confident enough to recommend them and didn’t want to
wait any longer to spread the word. 

HOLLYWOOD UNKNOWNS: A HISTORY OF EXTRAS, BIT PLAYERS, AND
STAND-INS by Anthony Slide
(University Press of Mississippi)

Tony Slide
has been documenting film history for decades, and has now turned his attention
to the least-chronicled participants of Hollywood’s golden age: extras, bit
players, and stand-ins. In the silent era, before studio filmmaking was
completely codified, fan magazines and opportunists lured would-be actors and
actresses to Tinseltown. Many came with big dreams but settled for “day work”
in the background…and remained there. Slide paints a vivid portrait of this
period and finds another rich vein when he details the labor movement that included
a lengthy tug of war between the Screen Actors Guild and the Screen Extras
Guild. Naturally, Slide talks about such notable figures as Bess Flowers, the
Queen of the Dress Extras, but I was surprised that he didn’t mention two of
the most ubiquitous extras of the 1930s who went on to achieve stardom, Dennis
O’Keefe and William “Wild Bill” Elliott. Still, there is much to learn in these
pages from the author’s always-impressive research.

FINAL CUTS: THE LAST FILMS OF 50 GREAT DIRECTORS by Nat
Segaloff 
(BearManor Media)

 

While debut
films often reveal the promise of a great career, the final works of prominent
directors run the gamut from great capstones to utter embarrassments. Segaloff
has done his homework, and drawn on many first-hand interviews, to provide a
wide range of stories that present a wide variety of experiences. With each
director occupying a brief chapter, this is the kind of book that’s hard to put
down once you dip into it, whether you’re interested in Robert Altman, Arthur
Penn, John Ford, or Otto Preminger. Good anecdotes, backed up by solid research
and an insider’s savvy sense of the film industry make this a welcome addition
to any film bookshelf.

 

LEST WE FORGET: THE JOHN FORD STOCK COMPANY by Bill Levy (BearManor Media)

 

I admit it:
I’m a sucker for John Ford movies. It almost goes without saying that I am also
a sucker for those actors, prominent and otherwise, who populated his films,
from the ever-present, buck-toothed Jack Pennick and the memorable Hank Worden
(“Old Mose” in The Searchers) to long-timers
like J. Farrell MacDonald and Grant Withers. Levy’s brief bios provide
background on each player and cite their most prominent and memorable work for
Ford. A head-shot will help newcomers to the fold identify the faces that go
with the less-familiar names in the credits of so many pictures from the 1920s
through the 1960s.

 

WHO’S AFRAID OF THE SONG OF THE SOUTH? AND OTHER
FORBIDDEN DISNEY STORIES
 
by Jim Korkis; foreword by Floyd Norman (Theme Park Press)

 

As he has
proven time and again, animation buff and historian Jim Korkis has a knack for
finding little-known facets of Disney history and bringing them to life. Here,
he puts the story of Walt Disney’s Song
of the South
into full and proper perspective, tracing its origins, the
background of Joel Chandler Harris and his Uncle Remus stories, and all aspects
of the film up to and including the controversy that erupted the moment it
debuted. Typically, Korkis also explores other streams that flowed from the
film, including Disney’s Uncle Remus comic strip and the eventual use of the
Remus characters in the Splash Mountain attraction at Disneyland and other
theme parks. To flesh out this slender (but highly informative) volume, Korkis
provides anecdotes and backstories on other provocative Disney topics like the
latter-day elimination of a black centaurette named Sunflower from Fantasia. Even hardcore Disneyphiles are
sure to learn from Jim Korkis, as I always do. One more bonus feature: a
foreword by Walt’s first black animator, Floyd Norman.

Incidentally,
Jim has also reissued his eye-opening collection The Vault of Walt in a revised edition, with its admiring
introduction by Walt Disney’s daughter, Diane Disney Miller. It is also
available from Theme Park Press.

 

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Comments

Peter Nellhaus

Well as long as you're writing for something called Indiewire, how about a book on independent films? This is outside your usual scope, but check out "Southeast Asian Independent Cinema", which has some nice interviews with filmmakers you may not have heard of, and maybe a couple of familiar names. Not to be confused with the similarly titled book, "Southeast Asian Cinema" which has an essay on Thai cinema by yours truly.

Hank Zangara

Let's face it, all we really want is the animation. So why can't Disney release a DVD of the animated segments only, without the controversial live-action, under a title like Uncle Remus Stories, or Adventures of Brer Rabbit. Or — better yet — (as I've been suggesting for years) a "tin box" Walt Disney Treasures: Disney Rarities Volume Two, which could contain these segments and other previously unreleased gems, accompanied of course by a Leonard Maltin disclaimer. This would make the material available to fans and scholars, without much of a risk of it falling to the little kids. Remember when "Dumbo" was considered controversial because of the crows? Well that's now been re-released many times, and so far the world has not come to an end!

Kristine

Leonard,
Also, Mother Dolores Hart's autobiography, The Ear Of The Heart, will be out at end of April. She gave up Hollywood and a fiancee to become a nun. She made two movies with Elvis and was in "Where The Boys Are" with Connie Francis. She is known as The Nun Who Kissed Elvis.
Maria Shriver, Maria Cooper Janis(daughter of Gary Cooper), Paula Prentiss and her husband,Dick Benjamin, James Drury, and the creator of the musical "Nunsense', all liked Mother Dolores's book. Some thought she would be another Grace Kelly. Her uncle, by marriage, was tenor Mario Lanza(1921-1959).

James

For anyone interested, Song of the South is actually available in it's entire form on Youtube right now. Catch it see what the fuss is about; it's by far the easiest way to see this elusive movie.

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