Here’s your daily dose of an indie film in progress; at the end of the week, you’ll have the chance to vote for your favorite.
In the meantime: Is this a movie you’d want to see? Tell us in the comments.
leg. Things get ugly, go viral, are documented in “Finders Keepers.”
stranger-than-fiction battle to reclaim his mummified leg from Southern
entrepreneur SHANNON WHISNANT, who found it in a grill he bought at an
Director BRYAN CARBERRY learned the finer points of documentary
filmmaking with Ed Cunningham and the rest of the ‘King of Kong’ team on
their film ‘Make Believe,’ Bryan’s first project after graduating from
USC’s film program. The other points he picked up working in all stages
of production on feature films and television shows, and while directing
videos for Scott Weiland and Adriano Goldschmied.
Executive Producer Ed Cunningham produced ‘Undefeated,’ the 2011 Academy
Award winner for best feature documentary, ‘New York Doll,’ which
premiered at the Sundance Film Festival, ‘The King of Kong: A Fistful of
Quarters,’ Sports Illustrated’s 2007 sports movie of the year, and
‘Make Believe,’ winner of best doc at the 2010 LA Film Festival. Along
with producing, Ed has served as college football commentator for the
past 16 seasons, first at CBS and now with ESPN/ABC.
Producer ADAM GIBBS recently finished production on the feature film
“Lucky Them” starring Toni Collette and Thomas Haden Church, and
previously produced the feature film Live at the Foxes Den with Jackson
Rathbone and Elliott Gould.
About the Production:
“This story is the most complex and ridiculous story I’ve ever heard, and
it reminded me very much of what became “The King of Kong” right from
the start. Two very different people, with incredibly similar motives
and dreams, collided in a fascinating and bizarre way, and we were
fortunate enough to be able to candidly document their paths as they
were becoming forever altered by and interconnected with each other.
However, we had mothballed the project several months ago, but, because of Kickstarter and some renewed activity in the story, we now have the chance to see this through.” — Bryan Carberry
Final, short production and post-production to get us to festival submission cut of film
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