The irresistible, affecting, crowd-pleasing “20 Feet from Stardom,” about largely anonymous and prodigiously talented backup singers, premiered at Sundance in January, where it was nominated for both the Grand Jury Prize in documentary and the editing award, and was acquired by Weinstein Co. boutique label RADiUS out of the fest. The film hits theaters June 14. (Clips below.)
I caught the film opening night at the first ever Louisiana International Film Festival. “20 Feet from Stardom” features Merry Clayton, Darlene Love, Judith Hill,
Lisa Fischer, Tata Vega, and Claudia Linnear, all of whom aspired to
solo careers and released albums, but somehow never achieved the kind of
stardom of the singers they sang backup to, including Mick Jagger,
Bruce Springsteen, Bette Midler, who also appear, singing the praises
(pun intended) of their lesser-known but equally gifted colleagues. It’s
moving both in its story-telling as well as the astonishing
performances, shown in both vintage footage and scenes shot especially
for the film.
Singer Judith Hill, who sang with Michael Jackson, has been pushing her solo career and working the talk show circuit (she’s on Jay Leno Friday night June 7), see clip below.
Over a plate of charcuterie and drinks at New Orleans’ Cochon Butcher, director Morgan Neville told me that his first film was 1995’s “Shotgun Freeway: Drives through Lost L.A.” Though Neville’s impressive filmography includes movies on subjects including John Steinbeck and Los Angeles’ modern art scene, he’s most known for his many music films, including ones on the Brill Building, Leiber & Stoller, and Burt Bacharach, many produced through his Los Angeles-based company Tremolo Productions.
After the movie, Clayton (famed for her collaboration with Mick Jagger on the iconic “Gimme Shelter”) gave thanks to the late Gil Friesen, famed music executive who produced “20 Feet from Stardom” and died suddenly at the age of 75 a month before its premiere. She then sang “a song written and given to me by Leon Russell,” “A Song for You,” to a recorded backing track, and followed that with a moving a cappella performance of “You Are So Beautiful” by Joe Cocker, for which she brought her sister onstage to sing alongside her, dedicated to Alan Abrahams.
The film also played the San Francisco Film Fest.