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Locarno Film Festival Lineup

Locarno Film Festival Lineup

I have been invited to Locarno this year and am looking forward to going once more.
It
is an amazing locale at the Swiss tip of Italy’s Lago Maggiore.  While
the town sure looks old Italian to me people there tend to speak German.
Very charming.  Their grand outdoor theater in a big
piazza is rare in our film world and quite magnificent.  I look forward
to the films and seeing old friends.
Just
announced the 20-film competition lineup features 18 world premieres and
represents 16 countries, while the Piazza Grande selections run from
big budget to art house films.
The Locarno Film Festival, in its first edition under the new artistic director Carlo Chatrian, on Wednesday revealed an eclectic and international lineup.
The
8,000-seat Piazza Grande, the largest silver screen in Europe and
Locarno’s signature venue, this year illustrates the mixed genres
Locarno traditionally features, with a lineup that includes Quentin
Dupieux’s crime comedy Wrong Cops, with a cast that includes celebrity
goth Marilyn Manson.
“I want the Piazza Grande selection to feature a
sampling of what the festival has to offer in its various sections and
tributes, and I think we made a big step in this direction,” said
Chatrian, a veteran festival programmer and author who took over
direction of the lakeside festival after the unexpected departure of
Olivier Pere last year.
Mr. Morgan’s Last Love, a drama from Sandra
Nettelbeck that stars Michael Cain as a retired professor who finds a
connection with a young Parisian woman.
We’re the Millers, a comedy from Rawson Marshall Thurber with a cast that includes Jennifer Aniston and Ed Helms.
Also scheduled to screen in the picturesque Piazza
Grande: 1981 classic Rich and Famous, part of the festival’s
retrospective dedicated to director George Cukor (the film’s star,
Jacqueline Bisset, will be in Locarno to introduce the film)
Werner Herzog’s great Fitzcarraldo, the director’s
1982 biopic about Brian Sweeney Fitzgerald that will screen as part of
the festival’s homage to Herzog, who will be honored with a lifetime
achievement prize. 
The Piazza Grande will also feature an Italian film
— La Variabile Umana (The Human Factor), the feature film debut from
acclaimed documentary maker Bruno Oliviero — for the first time in six
years.
The festival previously announced that much-heralded
blockbuster 2 Guns, from Baltasar Kormákur — which stars Denzel
Washington and Mark Wahlberg — would open the festival August 7.
The competition lineup, which includes 18 world premieres and two
international premieres, is nearly as varied as the selection showing in
the Piazza Grande. 
Among the highlights: E
Agora? Lembra-me (What Now? Remind Me) from Portugal’s Joaquim Pinto,
the director’s touching and vibrant telling of his battle with HIV.
Albert Serra’s Historia de la Meva Mort (Story of My
Death), which had been tabbed by the European press as a likely Cannes
selection.
Real, the first film from Japan’s Kiyoshi Kurosawa in five years.
U Ri Sunhi (Our Sunhi) by South Kore’s acclaimed Sangsoo Hong.
Sangue (Blood) from Italy’s Pippo Delbono, which explores Italy’s Red Brigade insurgency. 
Short Term 12, a remake of a 2008 short (both directed by Destin Cretton), is the only U.S. film screening in competition.
“There’s
an intriguing mix of young director and first time works with more
experienced talent in the competition lineup,” Chatrian said. “I’m eager
to see how the public will react to these films we’ve chosen.”

 

Piazza Grande selections:
2 Guns by Baltasar Kormákur (United States)
Vijay and I by Sam Garbarski (Belgium/Luxembourg/Germany)
La Variabile Umana (The Human Factor) by Bruno Oliviero (Italy)
Wrong Cops by Quentin Dupieux (United States)
We’re the Millers by Rawson Marshall Thurber (United States)
The Keeper of Lost Causes by Mikkel Nørgaard (Denmark/Germany/Sweden)
Les Grandes Ondes (Longwave) by Lionel Baier (Switzerland/France/Portugal)
Rich and Famous by George Cukor (United States)
Gabrielle by Louise Archambault (Canada)
L’Experience Blocher by Jean-Stéphane Bron (Switzerland/France)
Gloria by Sebastián Lelio (Chile)
Mr. Morgan’s Last Love by Sandra Nettelbeck (Germany/Belgium)
Blue Ruin by Jeremy Saulnier (United States)
About Time by Richard Curtis (United Kingdom)
Fitzcarraldo by Werner Herzog (Germany/Peru)
Sur le Chemin de l’École by Pascal Plisson (France)
 
International competition lineup:
Când
se lasă seara peste Bucureşti sau metabolism (When Evening Falls on
Bucharest or Metabolism) by Corneliu Porumboiu (Romania)
E Agora? Lembra-me (What Now? Remind Me) by Joaquim Pinto (Portugal)
Educacão Sentimental (Sentimental Education) by Júlio Bressane (Brazil)
El Mudo by Daniel and Diego Vega (Peru/France/Mexico)
Exhibition by Joanna Hogg (United Kingdom)
Feuchtgebiete by David Wnendt (Germany)
Gare du Nord by Claire Simon (France/Canada)
Historia de la Meva Mort (Story of My Death) by Albert Serra (Spain/France)
L’Étrange Couleur des Larmes de Ton Corps (The Strange Color of
Your Body’s Tears) by Hélène Cattet and Bruno Forzani
(Belgium/France/Luxembourg)
Mary, Queen of Scots by Thomas Imbach (Switzerland/France)
Pays Barbare by Yervant Gianikian and Angela Ricci Lucchi (France)
Real by Kiyoshi Kurosawa (Japan)
Sangue (Blood) by Pippo Delbono (Italy/Switzerland)
Short Term 12 by Destin Cretton (United States)
Shu Jia Zuo (A Time in Quchi) by Tso chi Chang (Taiwan)
Tableau Noir (Black Board) by Yves Yersin (Switzerland)
Tomogui (Backwater) by Shinji Aoyama (Japan)
Tonnerre by Guillaume Brac (France)
U Ri Sunhi (Our Sunhi) by Sangsoo Hong (South Korea)
Une Autre Vie by Emmanuel Mouret (France)

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