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The Patience Stone

The Patience Stone

We’ve
seen many facets of life in war-torn Middle Eastern countries, but none quite
like the intimate depiction of a young woman’s existence in The Patience Stone. Iranian-born Atiq
Rahimi adapted his best-selling novel in collaboration with the celebrated
screenwriter Jean-Claude Carrière (whose many credits include The Discreet Charm of the Bourgeoisie and The Unbearable Lightness of Being). And
there is a third, equally important collaborator: the beautiful actress
Golshifteh Farahani, who dominates the film as a young woman trapped in a
loveless marriage with an older man. Once a prominent, heroic warrior, he now
lies near death in their stifling home, with bursts of gunfire and bombs
exploding right outside the door. They, and their two young daughters, have
been abandoned by family and friends, leaving a desperate Farahani to find some
way to survive and feed her children.

The
specific country is never named, because it doesn’t matter: the male-dominated,
misogynistic culture crosses many boundary lines. With no one around, Farahani
begins speaking to her comatose husband (and to us) in a
stream-of-consciousness confessional about her life.

What
do well-meaning people do in order to survive in such a world? Who is
considered heroic and who is branded a coward? Traditional lines blur as we
learn about Farahani’s background and what she sacrificed in order to be
considered a good and faithful wife.

The Patience Stone doesn’t overplay its
hand, treating some of its most shocking moments in matter-of-fact fashion.
That, ultimately, is its strength, not unlike the heroine it depicts so
believably.

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