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Men At Lunch

Men At Lunch

There are few
New York City photos as familiar or evocative as the one that inspired this
documentary, shot in 1932 during construction of the RCA Building (aka 30 Rock)
in Rockefeller Center. As soon as I heard that Irish television had produced a
program about the photo I sought it out. (Men
at Lunch
opened last weekend in New York City at the Quad Cinema and in Los
Angeles today at the Laemmle Music Hall in Beverly Hills.)

Director Seán
Ó Cualáin and writer Niall Murphy don’t have to strain to establish the
photograph’s iconic status with everyone from erudite authors to modern-day
ironworkers on the streets of Manhattan. Experts provide context and meaning,
while men on the street (literally) talk about how closely they relate to these
“ordinary” fellows in an extraordinary setting.

Part of the
intrigue surrounding this photo is its provenance: no one knows for certain who
shot it, although the original 8×10 print in the Rockefeller Center Archives is
dated September 20, 1932.

The other
unsolved mystery is the identity of the eleven men. They were almost certainly
immigrants who were happy to be employed at the depths of the Great Depression.
Only one of them is looking directly at the camera. Many people claim to be
related to the men on the beam, including two Irish cousins who present fairly
persuasive evidence.

Men at Lunch runs just over an hour, and
it is time well spent. The film is a rich and resonant piece of work, well
worth seeking out.

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Comments

Len Sherrott

A very insightful documentary of life in New York in 1932. while the city bustles sixty nine floors below, these eleven workers sit nonchalant with only inches side separating them from certain death. Yet they do it every day. no doubt the two men sitting third and fourth from the left are discussing the political scene. The latter is holding a piece of paper which reads So I Vote. They have come to the land of the free and they intend that it stays that way.

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