Editor’s note: As 2013 comes to an end, I’ll be reposting some of our highlights published during the year. Those who’ve already read each one can obviously skip them, or revisit if you’d like. For those who joined us later in the year, missing many of these posts from earlier in the year, they will probably be new items. Here’s the 12th of many to come, originally posted in March 2013. Happy New Year to you all!
Monte had a falling out with Lear, suing him, along with CBS and ABC, in 1977 for stealing his ideas – a move that he says got him blacklisted. Eventually, he says, he received a $1 million settlement and a small
percentage of the residuals from Good Times, but that signaled the beginning of the end, as Hollywood, he says, didn’t share his vision – in essence, he fought against script changes that he felt degraded blacks, and wanted more control over his work.
Years later, after just about losing it all, filing for bankruptcy in the early 2000s, he became a cocaine addict, and soon found himself homeless in California.
Since cleaning himself up, he’s been trying to make a comeback of sorts, but aside from one episode of Moesha and an episode of The Wayans Brothers, he hasn’t worked in TV and film since his falling out with Norman Lear in the late 1970s.
In the 2-part interview with Upfront TV below, shot in 2010, Monte talks about much of the above, filling in what I left out – his first meeting with Norman Lear, creating The Jeffersons, coming up with the idea for Sanford and Son, but not getting any credit for it, fighting with Norman Lear for years to get Good Times on the air, because Lear wanted a more dysfunctional black family on screen, also TV and film as powerful propaganda, black film and TV today, the Hollywood struggles he faced for not wanting to play the game, and more…
First, listen to the 8-minute NPR profile below from 2006, when Monte was homeless, and trying to re-establish himself. The Upfront TV 2-parter follows underneath.
So if you weren’t already familiar with Mr Monte and his story, now you are…
By the way, he’s listed an an “associate producer” on the film adaptation of Good Times that Scott Rudin is producing. That could mean almost anything; but maybe it’s signals a new start for him… maybe not.