The Sundance Institute announced
I Origins as the winner of the Alfred P. Sloan Feature Film
Prize at the 2014 Sundance Film Festival, as well as the recipient of
the Alfred P. Sloan Lab Fellowship, which is presented through the
Institute’s Feature Film Program.
activities, as well as a panel at the Festival and the Alfred P. Sloan
Commissioning Grant, are part of the Sundance Institute
Science-in-Film Initiative, which is made possible by a grant from the
Alfred P. Sloan Foundation. The initiative supports the development and
exhibition of new independent film projects that explore science and
technology themes or that depict scientists,
engineers and mathematicians in engaging and innovative ways.
are delighted to collaborate with Sundance Institute for the 11th year
in a row and to recognize Mike Cahill’s original and compelling
I Origins as the winner of this year’s Alfred P. Sloan Feature
Film Prize,” said Doron Weber, Vice President, Programs at the Alfred P.
Sloan Foundation. “With Academy Award-nominated films like this year’s
Gravity and Her,
I Origins—as well as new scripts we are developing with Sundance Institute Labs such as
The Buried Life and Prodigal Summer—demonstrates that
not only are science and technology central to understanding, engaging
with and dramatizing modern life, but they also make for cracking good
films that draw large audiences.”
Putnam, Executive Director of Sundance Institute, said, “Independent
filmmakers offer unique perspectives on the role math, science
and technology play in our world and culture. The Sundance Institute
Science-in-Film Initiative, with critical support from the Alfred P.
Sloan Foundation, recognizes and encourages these projects as they make
their way to audiences.”
Alfred P. Sloan Feature Film Prize
directed and written by Mike Cahill, has been awarded the 2014 Alfred
P. Sloan Feature Film Prize and will receive
a $20,000 cash award by the Alfred P. Sloan Foundation at this year’s
Sundance Film Festival. The Prize is selected by a jury of film and
science professionals and presented to outstanding feature films
focusing on science or technology as a theme, or depicting
a scientist, engineer or mathematician as a major character.
I Origins, a molecular biologist and his lab partner uncover
startling evidence that could fundamentally change society as we know it
and cause them to question their once-certain beliefs in science and
spirituality. The cast includes Michael Pitt,
Brit Marling, Astrid Bergès-Frisbey, Steven Yeun, Archie Panjabi. The
jury presented the award to the film for its “intelligent and nuanced
portrayal of molecular biologists as central characters, and for
dramatizing the power of the scientific process to
explore fundamental questions about the human condition.”
Previous Alfred P. Sloan Prize Winners include: Andrew Bujalski,
Computer Chess (2013); Jake Schreier, Christopher Ford, Robot & Frank
(2012); Musa Syeed, Valley of Saints (2012); Mike Cahill and Brit Marling,
Another Earth (2011); Diane Bell, Obselidia (2010); Max Mayer,
Adam (2009); Alex Rivera, Sleep Dealer (2008); Shi-Zheng Chen,
Dark Matter (2007); Andrucha Waddington, The House of Sand (2006); Werner Herzog,
Grizzly Man (2005), Shane Carruth, Primer (2004) and Marc Decena,
Dopamine (2003). Several past winners have also been awarded Jury Awards at the Festival, including the Grand Jury Prize for
Primer, the Waldo Salt Screenwriting Award for Sleep Dealer and the Excellence in Cinematography Award for
This year’s Alfred P. Sloan jury members are:
Dr. Kevin Hand
Kevin Hand is deputy chief scientist for Solar System Exploration at
NASA’s Jet Propulsion Laboratory. His research focuses on
the origin, evolution, and distribution of life in the solar system.
His fieldwork involves exploring some of Earth’s most extreme
environments from the McMurdo Dry Valleys of Antarctica, to the depths
of the Earth’s oceans, to the glaciers of Kilimanjaro.
Lichtman is a science journalist living in New York. She has worked as a
video journalist for the New York Times and National
Public Radio’s Science Friday and writes regularly for Popular Science
magazine. She is the coauthor of Annoying: The Science of What Bugs Us.
Mayer is a founder and producing director of New York Stage and Film
and has directed over 50 new plays by writers such as John
Patrick Shanley, Lee Blessing, and Eric Overmyer. In addition to
writing and directing
Better Living and Adam, which premiered at the 2009 Sundance Film Festival and won the Sloan Prize, Mayer has directed
As Cool as I Am and episodes of The West Wing, Alias, and
Family Law and written three produced plays.
The Darkest Hour, Ridley Scott’s Prometheus, and the upcoming Passengers and
The Mummy. The one-time physics student and science writer continues to specialize in science fiction.
Jill Tarter, the Bernard M. Oliver Chair for the SETI Institute, has
devoted her career to hunting for signs of sentient
beings elsewhere. The lead for Project Phoenix, a decade-long SETI
scrutiny of about 750 nearby star systems, she now leads SETI’s efforts
to build and operate the Allen Telescope Array. A 2009 TED prize
recipient, she is also the real-life researcher upon
whom the Jodie Foster character in Contact is largely based.
Sundance Institute / Alfred P. Sloan Lab Fellowship
archaeologist risks her reputation for the dig of her career, but when
her rock ‘n’ roll sister and overbearing father follow her
to the excavation, she discovers her biggest challenge is facing what’s
Joan Stein Schimke and Averie Storck have just attended the Institute’s January Screenwriters Lab with
The Buried Life.
One Day Crossing, which won several other awards including the
Directors Guild of America (DGA) Best Woman Student Filmmaker, Best
Director, National Board of Review and the Student Academy Award® Gold
Medal. Other directing credits include
Law and Order and the short film Solidarity, which
screened at over a dozen festivals including the New York Film Festival.
Stein Schimke is an MFA graduate of Columbia University’s Film Program
and is currently an Associate Professor at Adelphi
University in New York.
Live at Five , which won the New Line Cinema Development Award
and screened at more than 30 international film festivals. Prior to
filmmaking, Storck worked for
People and Vogue magazines, was a writer for Who Wants to Be a Millionaire,
and studied improv at the Upright Citizens Brigade Theatre in NYC. She
currently teaches and directs at the Savannah College of Art and Design.
in 1934, the Alfred P. Sloan Foundation is a non-profit philanthropy
that makes grants in science, technology and economic
performance. This Sloan-Sundance partnership forms part of a broader
national program by the Alfred P. Sloan Foundation to stimulate leading
artists in film, television, and theater; to create more realistic and
compelling stories about science and technology;
and to challenge existing stereotypes about scientists, engineers, and
mathematicians in the popular imagination. Over the past decade, the
Foundation has partnered with some of the top film schools in the
country – including AFI, Carnegie Mellon, Columbia,
NYU, UCLA, and USC – and established annual awards in screenwriting and
film production and an annual first-feature award for alumni. The
Foundation has also started an annual Sloan Feature Film Prize at the
Hamptons International Film Festival and initiated
new screenwriting and film production workshops at the Hamptons and
Tribeca Film Festival and with Film Independent. As more finished films
emerge from this developmental pipeline—four features were completed in
2013, with half a dozen more on deck—the foundation
has also partnered with the Coolidge Corner Theater and the Arthouse
Convergence to screen science films in up to 40 theaters nationwide. The
Foundation also has an active theater program and commissions over a
dozen science plays each year from the Ensemble
Studio Theater, Manhattan Theatre Club and Playwright Horizons.