You will be redirected back to your article in seconds

Former Tyler Perry Head TV Writer Creates Dramatic Web Series ‘Birth Right’

Former Tyler Perry Head TV Writer Creates Dramatic Web Series ‘Birth Right’

Former House of Payne head writer Brian Egeston says of
himself that he’s been “the class clown” and “the
funny man everywhere I go,
” but for the longest, like a lot of comedians, he
longed to be dramatic.

As he says: “Comedy can get really broad, sometimes too
broad.  I still enjoy it and write it,
but I like dabbling in drama to center my storytelling.

So after writing 30 episodes of Payne, as well as working
on more than 100 episodes for other Tyler Perry TV sit-coms, Egeston has created the
dramatic web series Birth Right which premiered yesterday on the serie’ website
(HERE) and on YouTube.

The series centers around Kia Right, “whose
adoption rights are overturned by a rich and powerful business mogul who wants
her son after learning the child is connected to a multimillion dollar
inheritance.  When authorities try to
take the child, Kia goes into hiding in the remote North Georgia Mountains
until she can overturn the ruling or hunt down the people after her son.

Egeston says that this series is really important to him
because: “…my wife and I adopted the most amazing kid in the world and I wanted to
tell a story about an unconditional love for a child regardless how he or she
comes into one’s life.  I also wanted a
backdrop that wasn’t stereotypical such as the hood, church or a basketball
court.  That’s why we told this story on
a lake, in the urban jungle and in the mountains.  Next season we’ll be in the clouds—literally.

Now I can guess what you’re saying: “Ya think Egeston made this
series as an atonement for all that time working on Perry sit-coms?

Well I’m not going to go
there. You’ll have to make up your own mind about that

New episodes will premiere every Thursday at 8PM.

Here’s the first episode:

This Article is related to: News and tagged


Brian Egeston


What's up, brother? I remember you, your fine city and your cousin. Hope all is well. Thanks for reaching out. All the best.



Brain, I thought it best that I post this comment ahead of the less-than glowing comments that follow (I need you in a good mood… *big smile*). So listen, I roam the halls of Shadow and Act (some call it trolling) for many reasons, in doing so I've found many serendipitous rewards. But one of my conscious goals, aside from discussing any and everything related to films/movies, is the opportunity to meet and talk with people from all walks of life. Some of which have led to pen-pal and business relationships.

Anyway, in another comment (further down) I mentioned meeting you in the early stage of your career at one of your readings, so let me take you back to that day.

It was around 2000-2002, in Illinois. From your hotel room you could possibly see the Mississippi River which was approximately 2 blocks from the hotel. You were convinced to come to this burg of a place by my cousin (the poet laureate of the city), Ms Guy. And, as a side note, for those who don't know it, you were a humble and very nice young man.

The reading, which was followed by a Q&A, took place at an old school mansion type building. The audience was 80% white, the rest were PoC. The book being discussed was Granddaddy's Dirt. So there you have it, many years ago you were a struggling writer, but boy look at you now. And now, I'm simply trying to "reconnect" so I can pick your mind and maybe write about your voyage… and the Do's & Don't, trails & tribulations of black writers/filmmakers just like you.

So please, if you don't feel comfortable replying here, hit me at careydarnell(at)yahoo(dot)com

It would be greatly appreciated.


I also wanted a backdrop that wasn’t stereotypical such as the hood, church or a basketball court. — trying not to be stereotypical has been a stereotype since the 90s. In the future people won't worry about stereotypes and just be good.

Brian Egeston

Great comments, everyone! I appreciate your candor. Have an amazing 2014.



Although I DO NOT share Miles and Katie's opinion of Tyler Perry and those who have been fortunate enough to work and learn from him, I do question the decision to use a white child and thus the white millionaire grandfather? On two fronts, that decision does not set well with me.

First, I believe there are more than enough black children in need of adoption. Second, in this film the "caring" grandfather is rich and white, and his thug henchman is a black man. What message are we sending.

So considering all the above, what message is the writer trying to send? I can't help but believe it was a conscience decision to cast a white child. Why?

And, on a side note that thickens this quandary, I just happened to notice in this film (and since Egeston volunteered this bit of information) that "the kid in red" (not the adopted one) is a black child, who just happens to be Brian's adopted son (me think?).

Miles Ellison

I was pretty much done after the words "Former Tyler Perry Head TV Writer."


You know, I really was going to give this a chance. I really was. And normally, anyone associated with Perry would be on my ish list (no, I don't care how many jobs Perry gives). But again, I wanted to give this man a chance even though I don't care for these types of dramas. So far everything was going great. The title sequence was decent (I'm a sucker for title sequences). The shots were better than expected. Then 2 minutes I see the black woman character mammying up with a white child. WTF? You killed it, Egeston. You completely killed my interest. You mean to tell me that I'm supposed to give a damn about a some black woman moving heaven and earth for a white child? Shiiid. If I wanted to look at that, I would just watch Hollywood and their garbage.

I don't watch black webseries just to see the same bullshit so I guess I'll just stop watching right here. Egeston had a chance to portray black woman in a completely different light and he blew it.

"Ya think Egeston made this series as an atonement for all that time working on Perry sit-coms?"
Man please, he's not trying to atone for not a damn thing. This man has shown that he has the same Tyler Perry mindset. FOH with this mess!

Your email address will not be published. Required fields are marked *