New York Film Critics Circle Apologizes to Steve McQueen and Fox Searchlight for Armond White Heckling, White Defends Himself (UPDATE)

New York Film Critics Circle Apologizes to Steve McQueen and Fox Searchlight for Armond White Heckling, White Defends Himself (UPDATE)

Regarding what he called “the misreporting and the repetition of lies,” Armond White wrote by email this morning: “Shame on the unprofessional bloggers, reporters or whatever they are — you don’t pursue or tell the truth.” 

Asked whether or not he yelled at “12 Years a Slave” Best Director-winner Steve McQueen, Armond responded: “Wrong question, John. I was not in a position or vicinity to yell at McQueen. It was talk among my tablemates. The Variety and Wire lines are outright misquotes and lies. You might want to ask why the gutter bloggers continue to misquote and distort the event and NYFCC history.”

White feels strongly that his comments should have remained contained by colleagues at his table, but clearly others around the room heard and reported them. 

In any case, the NFCC chair, Time Out’s Josh Rothkopf, has apologized to Fox Searchlight and Steve McQueen for White’s remarks and wrote that disciplinary action was being taken: “On behalf of the New York Film Critics Circle, I apologize sincerely for the crass bit of heckling Mr. McQueen encountered. I’m mortified to learn that this was from one of our own members.”

Meanwhile, New York Post critic Lou Lumenick is also facing reprimands for his tweeting of the ceremonies, which was against the NYFCC rules. 

EARLIER: For pure shock value, Adele Exarchopoulos’ legs were the
main event at Monday’s New York Film Critics Circle awards dinner, barely
contained as they were in a man’s
shirt disguised as a dress. Armond White? There’s not a lot of shock value
left: When we sat down to eat, someone at our table said, “Let’s have a pool:
How long ’til Armond goes off?” We waited a while, but Old Faithful finally
blew.

You could see it coming. Steve McQueen, named best director
for “12 Years a Slave,” had been a target of White’s critical wrath, and, as
usual, the New York film critic-least-likely-to-go-along-with-the-crowd had
gone his own way as usual: As White had written, “12 Years,” based on the
memoir of Solomon Northup — “who claims [emphasis ours] that in 1841, away from
his home in Saratoga Springs, N.Y., he was kidnapped and taken South where he
was sold into hellish servitude and dehumanizing cruelty”  — was in keeping with McQueen’s “interest in
sado-masochistic display” and  “belongs
to the torture porn genre with ‘Hostel,’ “The Human Centipede’ and the ‘Saw’
franchise but it is being sold (and mistaken) as part of the recent spate of
movies that pretend ‘a conversation about race.’”

So there was no doubt in this member’s mind that if Armond
were going to reprise one of his old favorites — like “fuck you,” with which he
countered accusations against the Catholic Church during the “How to Survive a
Plague” portion of last year’s program — it was going to be for the benefit of
McQueen.

Harry Belafonte, who delivered what may well have been the
most moving and eloquent presentation of an award this distinguished group of
critics had ever heard, was allowed to deliver his words, but as soon as
McQueen hit the podium, White exploded: “Doorman” and “garbageman” were the
words that rang out the clearest, as well they might.

Fox Searchlight is understandably pissed,
and not just about McQueen’s feelings: Having left Toronto in September with
many convinced that “12 Years” was the fait accompli Best Picture, they find
themselves in a real contest. The nonsupport of someone even as seemingly
unpredictable as Armond (who’s really rather predictable) and who is one of the
few black members of the NYFCC, can’t be very welcome. And what studio is going
to want to send its talent to pick up awards from the group when one of its
members feels so free to be abusive? If he scares certain people off, the
evening becomes, by default, the Armond White Award Show. A lot of colleagues,
while occasionally bewildered by his positions on films, find Armond a very
likable guy. And you certainly can’t say that about everyone in the group.

But to judge by Tuesday morning’s response by Time Out’s
Josh Rothkopf (who has just finished two terms as NYFCC chair) the incident may
not be over. “It amazes me that we have members who are so self-serving, they
would sacrifice the decorum of our group — both in public and during our
confidential meetings — solely to satisfy their own egos,’ he wrote to
members. “I can’t believe we need to draft rules of conduct for adults,
but apparently we do.”

Since the winners are known well in advance of the awards
ceremony, and there are no real surprises save the length of the speeches
and/or Adele Exarchopoulos’ legs, those who disagree with the choices have an
option: Stay home.

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Comments

Thomas Jay

I'm sorry, but calling Hamn a villian of Toy Story 3 just isn't "the truth".

Adesijuola Ogunjobi

Who is providing financing for these movies? Well, whites. I don't blame these black filmmakers and the problem with black filmmakers is not the movies they are forced to make to entertain white audience and white financiers, the problem is lack of empowerment where a black major studio that can command vertical integration to showcase black movies well produced and mainstream. Generation after generation of talented blacks will continue to suffer this indignation until someone comes along to empower black producers, filmmakers, writers, etc. Until then, black creative minds are at the mercy of whites who control the "deep pocket" as in money. 12 years of Slavery is a metaphor. It looks like "12 Centuries of Slavery" in Hollywood for blacks.

soulution

AND he's a STEPHEN. Pathetic.

soulution

Yo, read the review and White ain't saying shit. But it's besides the point. Simple: Fool was out of order for the ad hominem attack and the lack of self-control. He should be barred.

Matt

Armond White IS Uncle Ruckus

phantom

Asked whether or not he yelled at "12 Years a Slave" Best Director-winner Steve McQueen, Armond responded: "Wrong question, John."

That sounds like a yes to me.

Sumthin sumthin

Doorman, lol, it fits. McQueen was obviously the black face of a pretty white production team and agenda. If White keeps it up, he just might earn some street cred.

Pat

Does this Steve McQueen person direct any good films, which we've heard of, or just crap about an Irish hunger striker, and this film, which is typical of the stuff which gets nominated for the Oscars, by the snobby people, who think it makes them seem extremely intelligent for nominating films which generally not many of the plebs bother going to the cinema to see.

Heckler

Critics, along with filmmakers, have an interest in pretending movies are entitled to the same gravity as the "realities" they claim to depict — Steven Spielberg as holocaust hero, etc. — but come on, folks.

"Twelve Years" is a mass-market movie meant to appeal to white people who can congratulate themselves for being superior to the white people depicted in the movie, and is of zero moral consequence. Note that there is ongoing genocide in Africa right now, but it wouldn't sell movie tickets or make audiences feel virtuous.

All mass-market cinema is exploitative. White simply showed up the farce for what it is. It's only a movie, folks.

Oliver

Do to Armond what the French film community did to Autant-Lara: expel this disgrace.

Chuck

White is a goof, no doubt, but the fait accompli of the movie should genuinely be up for debate. It supposes that scenes of horror are the same thing as depth, something McQueen has done in his two previous films. It has no sense of time, is overly lush and filmakery for the content it is trying to deliver (the material is strong enough without all that), and aside from the lead wanting to get back to his family, there is no depth to him or his struggle.

Also, what was wrong with Adele Exarchopoulos' dress? Is this a conservative site all of sudden. Plus, she has dumpy legs and they are hardly even worth mentioning.

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