The best way to remember, and celebrate, the late, great Elaine
Stritch would be to watch this recent documentary portrait (and her one-woman
show, Elaine Stritch at Liberty.
You’d have to be inept not to get good material when you
turn a camera on the irrepressible Elaine Stritch. Fortunately, first-time
director Chiemi Karasawa earned the actress’ complete trust, so we get to see
her in every facet of her life, on stage and off—bounding along Manhattan
streets, greeting fans, rehearsing with her adoring accompanist, working on 30 Rock, even enduring a short stay in
the hospital. Stritch is a magnetic force and this briskly-paced documentary captures
her in all her glory. (It was filmed as the Broadway legend was about to turn
87, two years ago.)
She has been called larger than life, which is not a bad
description for the acerbic, quick-witted performer. She loves performing and
soaking up the love she receives from her audiences—a love she says she craves
in “real life” but only feels when she’s entertaining. Broadway
producer-director Harold Prince says that like many brash people, she has
insecurities which can make it difficult to work with her. But, he adds
conclusively, she’s worth it.
That helps to account for her long career in the theater and
nightclubs, in spite of a long bout with alcoholism. But how to explain her
indomitable spirit? She lost a husband she loved to brain cancer, and more recently,
endured the deaths of two sisters. Yet she goes on.
Elaine Stritch: Shoot
Me is not meant to be a biography; her background and career are sketched
in, but this is a candid portrait, not a conventional career survey.
If you love show business in general, or Elaine Stritch in
particular, consider this a must-see.