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Museum of Moving Image Will Host a Joe Swanberg Weekend

Museum of Moving Image Will Host a Joe Swanberg Weekend

The incredibly prolific Joe Swanberg, whose most recent film “Happy Christmas” recently premiered at Sundance, will be the subject of weekend retrospective at the Museum of Moving Image in Queens, New York. The filmmaker will be present at all of the screenings.

The series, titled “A Swanberg Sampler,” will feature six of his films: “Hannah Takes the Stairs” (2007), “Nights and Weekends” (2008), “Silver Bullets” (2011), “Art History” (2011), “Uncle Kent (2011), and “All the Light in the Sky” (2013).

READ MORE: Joe Swanberg’s New Star-Studded Project Proves No Microbudget Filmmaker Wants to Stay That Way Forever

“Swanberg’s
film capture the messy, often awkward emotional truths of real life,”
said Chief Curator David Schwartz, who organized the retrospective. “Much like another great behavioralist director, Howard Hawks,
Swanberg’s films are acutely observed, sharply perceptive, and deeply
entertaining. While his films may at first seem naturalistic, they also
have a heightened, almost theatrical quality, filled with moral and
emotional crises that emerge organically. This selection of films
demonstrates Swanberg’s emergence as a significant American director.”

Full schedule below with synopses courtesy of the Museum. The event takes place from March 1-2.

Hannah Takes the Stairs


SATURDAY, MARCH 1, 2:00 P.M.
Dir.
Joe Swanberg. 2007, 83 mins. Digital projection. With Greta Gerwig,
Kent Osborne, Andrew Bujalski, Mark Duplass, Ry Russo-Young, Mark
Duplass. Swanberg’s remarkably naturalistic portrait of callow youth
heralded the arrival of an indie superstar in Greta Gerwig (who co-wrote
the script). She is captivating as Hannah, a perpetually dissatisfied
20-something who drifts from one unfulfilling relationship to another,
leaving a trail of messy emotions in her wake. Fellow DIY directors
Andrew Bujalski, Mark Duplass, and Ry Russo-Young portray Hannah’s
coterie of friends and lovers, while Swanberg cuts through the stream of
halting Gen-Y babble to locate moments of raw, unguarded emotion.

Nights and Weekends
SATURDAY, MARCH 1, 4:30 P.M.
Dir.
Joe Swanberg, Greta Gerwig. 2008, 79 mins. With Greta Gerwig, Joe
Swanberg. Swanberg and Gerwig co-wrote, directed, and starred in this
similarly raw follow-up to Hannah Takes the Stairs, a fragmented,
sometimes unnervingly true-to-life glimpse into a disintegrating 21st
century relationship. Nights and weekends are the times that
long-distance lovers James (in Chicago) and Mattie (in Brooklyn) carve
out for their rambling cellphone chats and decreasingly satisfying
hookups. Flash forward a year: post-breakup, James moves to New York for
a job, the couple (“of what?” she asks) reconnects, and they find
things more complicated than ever.

Silver Bullets
SATURDAY, MARCH 1, 7:00 P.M.
Dir.
Joe Swanberg. 2011, 69 mins. Digital projection. With Kate Lyn Sheil,
Joe Swanberg, Amy Seimetz, Ti West. Swanberg takes a fascinating turn
into quasi-horror territory with this unsettling deconstruction of the
actor-director relationship. He plays an indie filmmaker who starts to
unravel when his girlfriend/lead actress takes a role in another
director’s werewolf movie. Vivid colors, moody lighting, horror makeup,
masks—Swanberg ratchets up his style to an almost expressionistic level
for this intensely personal, deeply disquieting exploration of the dark
side of the artistic process.

Art History
SUNDAY, MARCH 2, 2:00 P.M.
Dir.
Joe Swanberg. 2011, 74 mins. Digital projection. With Josephine Decker,
Kent Osborne, Joe Swanberg. One of Swanberg’s most thematically and
stylistically fascinating films, Art History stars the director
as a version of himself: an independent filmmaker shooting a no-budget,
sexually explicit drama. While on set, the lines between fiction and
real life begin to blur, complicating relationships between the director
and his actors. Throughout, Swanberg modulates the mood via carefully
controlled lighting design—alternately bright-lit and unsettlingly
dark—while raising troubling questions about control, exploitation, and
the filmmaking process.

Uncle Kent
SUNDAY, MARCH 2, 4:30 P.M.
Dir.
Joe Swanberg. 2011, 72 mins. Digital projection. With Kevin Bewersdorf,
Josephine Decker, Kent Osborne, Joe Swanberg, Jennifer Prediger.
Swanberg’s sixth feature (and the first of six films he released in 2011
alone) finds the director tackling themes of aging and alienation in
the social media age with a freshly grown-up perspective. Newly 40,
Kent, a cartoonist living in LA, spends his free time getting high,
prowling Chatroulette, and filming most of his social interactions on a
digital camera. His sad sack routine is upended by the arrival of cute
but flighty online acquaintance Kate—precipitating a weekend of
uncomfortable sexual tension and an apocalyptically awkward Craigslist
hookup.

All the Light in the Sky
SUNDAY, MARCH 2, 7:00 P.M.
Dir.
Joe Swanberg. 2012, 79 mins. Digital projection. With Jane Adams,
Sophia Takal, Kent Osborne. A 45-year-old actress whiles away the days
at her Malibu beach house, paddle-boarding and playing host to a
visiting niece, as she sees her job offers dwindle and tries to stave
off a looming midlife crisis. Jane Adams is the film’s irresistible
center of gravity, offering up an extraordinarily open, soul-baring
performance as a woman confronting middle age. Swanberg, meanwhile,
gives serious consideration to a new thematic concern—global warming and
environmental destruction—that lends the film an unexpected and
poignant universality.

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