The 2014 SXSW Film Festival kicks off tomorrow with the world premiere of Jon Favreau’s star-studded comedy “Chef.” The latest edition of the event is poised to deliver an exciting
combination of new talents and established names. Here’s a sampling of
the movies that Indiewire’s team is looking forward to checking out at
this year’s festival.
Joel Potrykus’ nutty debut feature “Ape” followed the exploits of a deranged standup comedian struggling to make ends meet. “Buzzard” is similarly focused on a man at the bottom of the economic food chain battling to get by while stirring up trouble in every direction. It’s also a genuinely brilliant contemporary satire of workplace frustrations. Like “Office Space” on crack, the movie revolves around a wry young schemer (“Ape” star Joshua Burge) who casually steals money from the bank that employs him while wasting his days with an equally directionless pal eating chips and playing videogames in a basement lair dubbed “the party zone.” But when his scams catch up to him, the character gradually loses his mind in a series of increasingly surreal and surprising developments that involve — among many other things — a treadmill, a makeshift Freddy Krueger glove, and one very long take involving pasta. By the end, like Martin Scorsese’s “After Hours,” Potrykus’ labyrinthine farce is so compellingly weird you just have to roll with it and accept it for what it is: an astute look at what it means to attempt an escape from the system and wind up devoured by it.
Mark Duplass and “Insidious” overseer Jason Blum co-produced this curious-sounding thriller about a man who responds to a mysterious advertisement to make a cool grand by filming one man (Duplass) for the day. It’s no surprise that the desperate character (played by director Patrick Brice) gets more than he bargained for — but the details are said to both surprise and unsettle in equal measures. Programmed in the festival’s “Visions” section, “Creep” is one of those eccentric genre entries with the potential to generate a lot of interpretive discussions — in other words, the ideal movie to mull over at a film festival.
Filmmaker Riley Steams returns to
SXSW after wowing with the short dark comedy “The Club” with “Faults,”his first feature starring Mary Elizabeth Winstead and Leland Orser.
While the short was about a young girl sent by her parents to be raised
by wolves, “Faults” revolves around another kind of non-traditional
parenting — in which a couple hires “an expert on cults…to kidnap and
deprogram their brainwashed daughter,” per SXSW’s official description.
“The Heart Machine”
Billed by the filmmakers on their Kickstarter page as a “modern mystery about love and intimacy in the digital age,” film critic Zachary Wigon’s first feature “The Heart Machine” has the makings of an indie perfectly pitched at the technically savvy SXSW crowd. The romance stars promising up-and-comers John Gallagher Jr. (“Short Term 12”) and Kate Lyn Sheil (who wowed in “Sun Don’t Shine” and TV’s “House of Cards”) as a pair who meet online and are forced to deal with some nasty truths when Gallagher’s character begins to question whether everything he’s been told by his crush is a lie.
“The Legend of Shorty”
A documentary focused on Mexico’s legendary drug lord, “El Chapo,” otherwise known as Shorty, immediately offers the hook of its real-life Al Capone-like villain. But then directors Angus McQueen and Guillermo Galdos’ movie, produced by the team behind “Searching for Sugarman,” got a special surprise weeks ahead of SXSW: Shorty was captured by Mexican authorities, ending a chapter in the history of Mexico’s war on drugs and adding an exciting coda to an unquestionably riveting story that would be purely exciting if it weren’t also terrifyingly real.
If the red-band trailer for “Neighbors” is any
indication, SXSW audiences are in for foul-mouthed, hilarious time when
Seth Rogen, Zac Efron and Dave Franco bring their little bit of mayhem
to Austin. Directed by “The Muppets” scribe Nick Stoller, “Neighbors” is
about a young couple (Rose Byrne and Rogen) who are forced to live
next to a fraternity house, headed by Efron’s bad-boy character, after
the birth of their first child. Cue the mayhem. Not set to open wide
till May 9th, the super early SXSW preview screening is a huge vote
of confidence by Universal. The company made a similar move when it
screened “Bridesmaids” as a work-in-progress back at SXSW in 2011 before
its summer release. We all know how funny that film was.
Spanish director Nacho Vigalando has
proven himself adroit at toying with genre tropes and audience
expectations with his features “Timecrimes” and “Extraterrestrial,”
neither of which are exactly what they seem. With this Elijah Wood
vehicle, Vigalando continues to experiment with film form even as he
pays homage to Brian De Palma with this incessantly split screen
narrative, also a cheeky homage to Austin’s vibrant film culture. Wood
plays a young man who wins a contest to meet the actress he adores, only
to wind up trapped by an unseen man who guides his every move and
forces him to stalk the woman. The entire story plays out on a single
computer screen through a series of — you guessed it — open windows.
Anyone excited about innovative filmmaking approaches won’t want to miss
“Print the Legend”
A documentary that tracks the rise of the 3D printer might sound like a snooze to some, but for any tech geek, this is the film to see at the fest. The film centers on the inside world of Brooklyn-based MakerBot Industries and the company’s CEO Bre Pettis. Competing companies are also profiled in the documentary. Billed by SXSW as the “definite 3D printing documentary,” “Print the Legend” marks the first time cameras have documented the lives of the people behind the “next industrial revolition” (again, per SXSW). Watch the trailer below:
Even the big issue documentaries at SXSW have a deeply personal element to them. “Vessel,” which revolves around a doctor who travels around the world in a boat providing abortions at sea, looks like the one that will fit that description. Diana Whitten’s portrait of Dr. Rebecca Gomperts promises a riveting experience as its subject helps women who have no other option but to go beyond the legal restrictions surrounding them. Emboldened by technology, Dr. Whitten’s quest is also one that gels nicely with the forward-leaning, gadget-savvy crowd at SXSW.
A modern-day film noir, “Wild Canaries”
centers on two roommates (Alia Shawkat, best known for “Arrested
Development” and indie darling Sophia Takal) who set out to investigate
the mysterious death of their elderly downstairs neighbor, Sylvia. When
the two discover evidence that links her murder to their own apartment,
everyone becomes a suspect. Directed by actor-filmmaker Lawrence Michael
Levine (“Gabi on the Roof in July”), “Wild Canaries” (at least on
paper) sounds a lot like “Cold Weather,” another indie noir that
made a huge splash at SXSW in 2010. Here’s hoping “Wild Canaries” follows
in that film’s footsteps.