Rekindling Early TV Memories

Rekindling Early TV Memories

Several recent DVD releases have enabled me to revisit my
childhood—and adolescence—and it’s been a blissful time trip. Some of the shows
I enjoyed back then have held up quite well, none more so than Burr Tillstrom’s
Kukla,
Fran & Ollie
.
I don’t know why it’s taken me this long
to check out the series on video, but I’ve just spent some time with Volume 3,
which includes 24 complete episodes from different periods in the run of the
show 
(starting in 1949, winding up in 1957) as well as some terrific bonus features.

Puppets were a mainstay of early television but Tillstrom,
like some other talented performers, didn’t think of himself as a children’s
entertainer. (One amusing episode features Oliver J. Dragon as a “television
consultant” who has pointed opinions about the medium.) His characters are warm
and sincere but engage in wisecracks and non-kiddie humor. Their human friend
Fran Allison is a paragon of kindness, a sunny presence who addresses us at
home as well as her colorful costars. Even when Tillstrom breaks the fourth
wall by acknowledging that the Kuklapolitan Players are part of a television
show—as when they audition a new announcer, or talk to their off-screen musical
director—the illusion is never shattered. These aren’t puppets: they’re real, a
wonderful cast of characters worth watching and believing in.

Viewing these shows from the 1950s reveals both the
primitive nature of live television and the magic that gifted performers could
create with the simplest means. It’s particular
ly fun to watch Kukla and
Ollie do “live” commercials for their sponsors, 
which include Sealtest,
Nabisco, Silvercup Bread, and RCA Victor.

Among the bonus features on Volume 3 are fascinating home
movies (some in color) taken by the show’s longtime director, Louis Gomavitz.
We get to see Kukla, Fran & Ollie making personal appearances in Chicago,
riding in a parade, and rehearsing for a number of special broadcasts in New
York with an impressive lineup of human [guest] stars including Dean Martin and Jerry Lewis, Perry Como, Yul
Brynner, Ethel Merman, and Irene Dunne. On the audio track we can listen to a revealing interview with Burr Tillstrom from the 1980s in which he discusses
his philosophy and the workings of the show. This material is irresistible,
especially if—like me—you have fond memories of this endearing program.

          

When I got older I got hooked on music and variety shows,
and I have crystal-clear memories of Edie Adams’ ABC series Here’s Edie from
the early 1960s. I thought she was incredibly sexy—and I was right, although
revisiting her memorable commercials for Muriel Cigars I now see that she was
parodying the overt sexiness of women like Marilyn Monroe. Adams’ son Josh
Mills has gathered all of her specials and subsequent series for a four-disc
release from Shout! Factory, which comes with an informative booklet and
reminiscences from some of Edie’s colleagues. The first season’s worth of
specials are somewhat self-conscious in their artiness, but that’s what made
them so striking and original, a hallmark of innovative director Barry Shear.
We also see how he experimented with the still-new medium of videotape.

One of the best specials was recorded “live” at Harrah’s in Las Vegas.
Edie sings, does impressions, and persuades Eddie Fisher, seated in the
audience, to join her onstage (which was almost certainly planned, but seems spontaneous).
Talk about capturing a moment in time! Guest stars on other episodes constitute
an eclectic array of performers from the worlds of popular music, jazz, and
even opera, including Sammy Davis, Jr., Count Basie, Dick Shawn, Bobby Darin, Buddy Hackett, Lauritz Melchior, André Previn, Stan Getz,
Spike Jones, Bob Hope, Dan Rowan and Dick Martin, to name just a few. I
remember watching some of these shows the first time around, and never dreamed
I’d have a chance to see them again.

Edie Adams deserves to be remembered and this DVD release
stands as a loving tribute. Mills has even included a number of song segments
from Ernie Kovacs’ 1950s daytime series, further evidence that Edie was a truly
gifted vocalist. Watch and enjoy.

 

Finally, on the subject of television, I can’t explain how strange
it is to drive by the NBC studios in Burbank and no longer see the network’s
name on the building that faces Alameda Avenue. With the departure of Jay Leno
and the transfer of NBC News to a new home on the Universal lot a mile or so
away, the famous facility is now a rental operation. For a fascinating
historical overview of the studio, with wonderful video clips, click HERE.

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Comments

Norm

Crawling from out of the primodial ooze, "Color Tv", quite a restrospective on the NBC Burbank Studios…seems there was Big money in that "fanciful" medium…I wonder where it will go…
Kukla , Fran , and Ollie, what more can be said about some very gifted people who took time to show us how wonderful life can be…

Martin Grams

Thank you for not making the mistake everyone else seems to make. Regarding KUKLA, FRAN AND OLLIE, they were puppets. HOWDY DOODY was a marionette (using strings) and people repeatedly make the mistake of citing the former as marionettes. Also note that the Edie Adams series exists courtesy of her strong insistence of television preservation. If not for her determination, those specials would probably not exist at all… and the few surviving Ernie Kovacs telecasts.

Terry Bigham

I remember Kukla, Fran and Ollie hosting the "CBS Children's Film Festival" back in the 60's. To this day, I still hear that pretty little instrumental theme to the show in my head.

Lee

Edie Adams co-starred in my favorite movie: It's a Mad, Mad, Mad, Mad World.

Another cool lesser known show is "Rocky & Bullwinkle" creator Jay Ward's "Fractured Flickers", in which Hans Conried (the voice of Snidely Whiplash) introduces silent movies with dialogue added to create a new story.

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