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The Galapagos Affair: Satan Came To Eden

The Galapagos Affair: Satan Came To Eden

A good historical documentary should tell an interesting
story in a cohesive way and arouse our interest, even if we know nothing about
the subject matter. The Galapagos Affair
does just that, without resorting to cheesy dramatic reenactments. The only
question is why no one has tackled this juicy material until now.

Filmmakers Dayna Goldfine and Dan Geller (who made the
wonderful Ballets Russes) stumbled
onto this mother lode while on assignment in the Galapagos Islands in the late
1990s. In pursuing the story, which dates back to the early 1930s, they found
the key to a compelling presentation: a cache of home movie footage depicting
all the central characters. They also cast a wider net by interviewing children,
relatives, and neighbors who grew up in the island chain and (in many cases)
remain there today.

The Galapagos Affair:
Satan Came to Eden
begins as a self-styled German philosopher and intellectual
decides to leave civilization and move to an uninhabited island called Floreana
half a world away. He takes along a married woman who is blindly devoted to him
and his dream of finding a new Eden. Their isolation is short-lived, as another
couple soon arrives, followed by an ostentatious, domineering woman who calls
herself a Baroness and announces plans to build a hotel. Personalities clash
and drama builds to a boiling point, as we learn from the diaries, letters, and
writings of the principals—well-read on the soundtrack by Cate Blanchett,
Sebastian Koch, Diane Kruger, Thomas Kretschmann, Connie Nielsen, Josh Radnor,
and Gustaf Skarsgård.

Truth is usually stranger, and often more intriguing, than
fiction, and this well-told narrative is a perfect example. The Galapagos Affair has more going for
it than most of the claptrap filling multiplexes right now.

To
learn where and when the film is playing, click HERE

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