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Will A Scripted Feature Film Based On Nat Turner’s Story Ever Be Made? Nate Parker Thinks So! He’s Working On One

Will A Scripted Feature Film Based On Nat Turner's Story Ever Be Made? Nate Parker Thinks So! He's Working On One

Maybe one day, Nat Turner’s revolt will finally inspire a film that we all get to see; Maybe not.

But I suppose if it were indeed to happen, Nate Parker certainly would be an actor who would be suitable for the part. And luckily, he’s interested. Actually, he’s more than interested. As he told us in an interview while plugging his last film, Non-Stop (the Liam Neeson airplane actioner):

One of my biggest passions is to play Nat Turner. That’s a project that we’re working to get done. A lot of people thought he was a bad guy, but it’s perspective. I don’t think he was a bad guy at all, but we all have our ideas of what we want and why we want it, and what we’ll do to achieve those things.

That was in February. 

Parker emphasized his desire to see the project realized in a New York Times interview published today, a couple of months later, in which he reveals a little more that I thought was worth sharing:

I’m directing a film in the fall, a biopic on Nat Turner, who led the most successful slave revolt in American history. I call it the black “Braveheart.” I wrote the script, I’m starring. That’s where I want to go. The goal for me is to push the envelope always.

So, now we can add that he has written the script, and he not only plans to star in the film, he will also direct it, with a fall start date eyed.

Of course, when it comes to movie-making, nothing is ever entirely certain. Matters of financing are, more often than not, a hurdle that many never get over. And I suspect it’s even more of a challenge when the project centers on a slave rebellion, led by black people hoping to inspire further insurrection, in which several dozen whites were killed before the revolt was defeated. When was the last time a movie with that as a premise (or something like it) was greenlit, whether by a Hollywood studio, or financed independently? There’s probably only 1 filmmaker who can get a project like that in production today, and he’s not black – another one of those hurdles filmmakers of African descent continue to face today. 

All that to say, not to discourage Nate Parker at all (absolutely not!), it’s probably going to be a long, tough journey to completion. Of course I’m assuming he doesn’t already have full financing in place, and a distributor ready. After all, with a fall shoot date in his sights, as he told the New York Times today, he may very well be on his way, which would be great!

Recall when I had Wendell B Harris Jr (Chameleon Street) on the Shadow & Act Livecast a few years ago, in 2009, and he relayed a time when he boldly pitched a contemporary lynching retribution film to Hollywood studio execs, who, not-so-surprisingly weren’t interested? And, in a later post, I made connections between Wendell’s idea and another Quentin Tarantino movie (which hadn’t been released at the time), Inglorious Basterds – the revisionist history movie on how WWII ended, set in Nazi-occupied France.

Revenge in Basterds, unlike Wendell Harris’ lynching retribution idea, does not take place almost a century after the crime. It happens synchronously, in the era it references – essentially one man’s fantasy about what could have been, and not what actually was.

So, it got me thinking… what if Wendell B Harris’ lynching revenge flick followed a similar story strategy? Again, revisionist history, set during the days in which the lynching of black people were de facto commonplace.

The title of Wendell Harris’s version can stay the same – Inglorious Basterds. It still works, right?

Well, it never happened obviously; And Harris never got his own very real project off the ground. There was word in the 1990s, as I recall, that Spike Lee was interested in directing something similarly controversial that Harris wrote, but nothing came of that possibility.

What we did eventually get, however, was Tarantino’s divisive Django Unchained – or as I called it, the frivolity of slavery; superficial and gratuitous; exploitation cinema that I think would have worked much better, and been an easier pill to swallow, had it been made 40 years ago.

It was not the Nat Turner-esque film that many were hoping for, although many others found it absolutely entertaining and rewarding – hence, the divisiveness I mentioned. 

August 21st1831, in Virginia, Nat Turner led a slave rebellion, hoping to inspire a slave uprising in the south. Several dozen whites are killed before the revolt is defeated. Turner is later captured, tried and hanged. 

183 years later, many are still waiting for a definitive Nat Turner movie to be produced – for someone to finally make Nat Turner’s rebellion an onscreen priority.
Maybe the most notable is the hour-long documentary, Nat Turner: A Troublesome Property, directed by Charles Burnett, and released in 2003, which played the festival circuit, and eventually aired on PBS about a year later. 
It’s not the full-length, scripted, big screen biopic that many have been hoping for, so, it’ll have to do for now. But good luck finding a copy on DVD to buy or rent.
There are likely other independent efforts that I’m not familiar with, so feel free to chime in below if you know something I don’t. 
William Styron’s 1967 Pulitzer Prize-winning, though deeply problematic novel, The Confessions of Nat Turner was almost adapted to film by director Norman Jewison, in the late 1960’s, with James Earl Jones as Nat Turner. The project was met with what Jewison called an “incredibly angry exchange of ideas” with black revolutionaries at the time, who objected to the idea of a white director directing the film, as well as distortions of historical facts in Styron’s book.
Needless to say, the film never happened, and thank goodness for that!
So we look to Nate Parker now, and wish him all the best of luck in seeing his Nat Turner film from script to screen.
Check out his New York Times profile HERE, in which he discusses his films at the Tribeca Film Festival, About Alex and Every Secret Thing, and also shares his motivations as an actor, stating:
I decided to take on projects that I thought would break down walls rather than build them up and to perpetuate positivity rather than to enforce negativity in who I was as a black man.

It’s kind of amazing (although not at all surprising) that this particular story (as a potential inspiration for a feature film) continues to be ignored, given how popular “slave movies” have been over the last couple of years, and continue to be, with new projects on the horizon.

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Kenya Cagle

Bill Duke is also directing a film about Nat Turner. This is the film that is based on the award winning top rated screenplay. It is the only screenplay that is backed by the Turner family so that this will not be a fiasco like the Aaliyah film. Shooting is scheduled to begin in the summer of 2015.

Terrance Wells

There should be an active network of all Black filmmakers, film associations, financiers, and individuals; who are interested crowd funding. If such a network were in place, the two Nat Turner projects could have been one larger; better project.

That being said. If there are 10 zillion movies about George Washington, , MacArthur, and others who believed in shedding blood for freedom: then we can have 10 zillion Nat Turner films.


I'm so hoping he succeeds in making his movie about Nat Turner. I'd be the first one in line at the cinema to see it. If the cinemas will not show it, community word of mouth can help to promote it via DVD.

Will he be able to get White people to play the roles of the ones killed? White people can't deal with that! Nat scares 'em. lol

Byron Jenkins

Hello my name is Byron Jenkins and my team Cagle vision is about to film The Prophet the true story of Nat Turner directed by Bill Duke and we already have actor Keith David , Ben Vareen and a whole host of others actors already attached including myself , Russell Simmons already has the packet and the book and now we're just waiting for funding but we're ready to film and we have actual facts straight from Nat Turner grandson Bruce Turner , Facts like alligator bait , yes black slave infants were used as bait to catch alligators , slave owners would steal babies from their mother tie a rope around their torso and toss the kids in the water and as soon as the gator bit down on one of the babies the slave owners would pull the gator to the bank and ax it to death at just to make shoes or belts or clothing so this story of Nat Turner will get filmed and directed by Bill Duke .

Walter Harris Gavin

The people who run "Hollywood" have a very difficult time disassociating "black" and "white" when the story has "black" folks as the protagonists fighting against a system based on "white" supremacy. It's always seen as a "black" film rather than a film about universals, freedom, identity, oppression, power, self-determination, good vs. evil, light vs dark. It's always difficult for "white" people to look in that supremacy mirror and admit their own individual and collective culpability. So the more things change, the more they stay the same.

T Nails

I'd love to see a Nat Turner film. I'm tired of virtually all slave era movies being about victims and white saviors. On that note, after the NT movie, let's see a good Harriet Tubman flick for a double header.


This is a big deal, not just for Nate Parker, but for Black film. I think a film about Nat Turner would be amazing and I think Parker could do a great job with it. This is something to wait for…I'm glad Black actors are making their own way.


Nate Parker is a phenomenal actor and he will do Nat Turner justice. Hopefully he has financing and a great crew in place for a quality production. I see more and more "mainstream" Black actors are creating opportunities for themselves as it "should" be.


I loved Django and would support this too.


I read the Confessions and felt suspicious of its merit as I did so.

However, I definitely support Nate Parker's goals in responsible filmmaking. I like where his head and his heart's at.

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