Best of the Week: Cannes Yields a Masterpiece, Weinstein Slate Lacks Oscar Wattage, Top 16 Hawks Films & More

Best of the Week: Cannes Yields a Masterpiece, Weinstein Slate Lacks Oscar Wattage, Top 16 Hawks Films & More

The top stories of the week from TOH!

Box Office:

Arthouse Audit: Two Comedies Score as “Chef” Beats Out “Fading Gigolo,” “Palo Alto” Shows Promise

Top Ten: “Neighbors” Pushes “Amazing Spider-Man 2” Out of Top Slot

Cannes:

A24 Will Release Egoyan’s Cannes Competition Kidnap Thriller “The Captive”; Press Reaction Is Mixed

Cannes Opening Night: “Grace of Monaco” Arrives

Cannes: Weinstein Co. Unveils a Slate of Singles and Doubles; No Oscar Contenders In Sight

Gilles Jacob: Author, Raconteur, Lover of Cinema and Outgoing Cannes President

Megan Ellison Heads for Cannes with “Foxcatcher,” Rebrands Her Foreign Sales Arm

Sony Pictures Classics’ Secrets: “Mr. Turner” Opens Competition, First of Five Cannes Entries

Ten Promising Projects to Watch for at the Cannes Market This Year

Terrence Malick’s “Voyage of Time” Heads to Cannes — It’s His “Most Ambitious Film to Date”

Things I Learned at Cannes Part One, from Campion’s Feminism to Leigh’s Stunning “Mr. Turner”

Features:

Is Rose Byrne of “Neighbors” Comedy’s New Secret Weapon?

Interviews:

Director Gareth Edwards Returns to the Nuclear DNA of “Godzilla”

How Did Michael C. Hall Go From Evil “Dexter” to Ill-Fated Everyman in Mickle’s “Cold in July”?

News:

Cassavetes, Almodovar and Cuaron Top Criterion’s Heavenly Late-Summer Lineup

New “Twin Peaks” Box Set Promises “The Entire Mystery,” with 90 Minutes of Deleted “Fire Walk with Me” Footage

RIP H.R. Giger, Who Gave Us the Oscar-Winning Xenomorph in “Alien” and Other Fantastically Macabre Art

Reviews:

This Weekend, Head to “Godzilla” and, At Last, “The Immigrant”

TOH! Picks 16 Must-See Films by Howard Hawks

Television:

Is “The Americans” Season Two Ignoring a Crucial Religious Question?

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