This year’s Cannes Film Festival will see a much less prominent Latino presence than in previous years. Considering that in the past two editions the award
for Best Director went to Carlos Reygadas (Post Tenebraz Lux) and Amat Escalante (Heli) respectively, the limited selection of Latin American films should
come as surprise. There is only a handful of these films throughout the entire program, but despite the shortage of Latin talent at the Croisette this time
around, the ones that made the cut are promising works.
Here are some highlights of the upcoming Latino presence in Cannes.
As the sole Latin American representative to compete for the Palm d’Or, the Argentine film promises to impress audiences at its World Premiere on Saturday
May 17th. Starring famous actor Ricardo Darín, as well as Darío Grandinetti, Leonardo Sbaraglia, and Oscar Martínez, the film is said to be
controversial and possibly divisive as Cannes’ Thierry Frémaux assured.
This is the latest from the Argentine filmmaker, which is a road movie that follows a young boy and his pregnant mother as they run away from a violent
environment. Starring Julieta Díaz
and Sebastián Molinaro, it’s a co-production between Campo Cine (Argentina) and Burning Blue (Colombia). A short film
from Brazil titled Heartless (Sem coração) by Nara Normande y Tião, will also play in this section of the festival. Trincheira Filmes, Garça Torta and
CinemaScópio produced the short.
–Gente de Bien (Good People) will be the only Latin American film to play in Cannes’ Critic’s Week
The feature debut from Colombian director Franco Lolli, Gente de Bien, will represent the region during the 53rd edition of this parallel section.
The cast includes Brayan Santamaría, Carlos Fernando Pérez and Alejandra Borrero, in a story about a son’s relationship with his father. Charles Tesson,
Artistic Director of this program, said of the film “ It is a work of overwhelming sincerity, close to the emotion in some of films by Ozu”. The film was produced by Evidencia Films, Geko Films. Ad Vitam will distribute it in France, and Versatile is its ISA.
Although there will be no Latin American shorts playing in this section, for the 11th consecutive year as part of a Cannes partnership with the
Morelia International Film Festival, a program of Mexican shorts will be featured. Among these films are Aningaaq by Jonás Cuarón,The Sidewalk by Anaïs Pareto Onghena, The End of the Existence of Things by Dalia Huerta Cano, Jesuralem by Alicia Segovia Juárez, The Invisible Mountains by Ángel Linares, and The Last Veil by David