X-Men: Days Of Future Past

X-Men: Days Of Future Past

The newest entry in the X-Men
series is vibrant and entertaining, I’m happy to say… but only if you’re a
dedicated follower. Like some other continuing movie sagas, this one assumes
you’ve seen all the previous films and memorized its characters’ relationships.
That includes the 2011 reboot, X-Men:
First Class
, which cleverly introduced James McAvoy and Michael Fassbender
as the younger versions of Professor X and Magneto. Patrick Stewart and Ian
McKellen are still around to lend their imposing presence and effortless
gravitas, but the action is in the hands of their youthful alter egos,  along with the time-traveling Wolverine,
played by Hugh Jackman.

The story, by Simon Kinberg, begins in a dismal future where
the Mutants are being slaughtered by an army of deadly Sentinels, which were invented
by an ambitious scientist played by Peter Dinklage. The only way to survive is
to send someone back in time to alter history and, in so doing, change this
outcome. Wolverine is chosen as the likeliest one to endure the difficult
transition. His mission: return to 1973 and stop shape-shifting Mystique (Jennifer
Lawrence) from assassinating the power-hungry Dinklage. In order to do this,
Wolverine must earn the trust of both Charles Xavier/ Professor X and Erik Lehnsherr/Magneto,
who are at that moment sworn enemies.

Thus the stage is set for conflict, in two time frames, and
challenges galore. Director Bryan Singer manages to keep this busy screenplay
on track most of the time, with the aid of his likable cast and a nonstop
parade of arresting visual effects. There are even a few moments of humor
involving a young Quicksilver, played by Evan Peters, who is featured in a
bravura sequence at the Pentagon that understandably has audiences cheering—and

Longer than it needs to be, X-Men: Days of Future Past threatens to wear out its welcome toward
the climax, but Singer wraps things up in satisfactory fashion. His longtime
editor, John Ottman, provides a suitably muscular music score.

The characters of young Charles and Erik are fairly
superficial and straightforward, and with this second go-round there’s no
longer novelty value in seeing two of this generation’s most talented actors
inhabit the roles. Some series veterans
like Halle Berry as Storm have little to do, while other members of the mutant
team are just along for the ride. On the plus side, Nicholas Hoult provides
solid support as Hank McCoy in the extended flashback story.

Overall, I’d rate this as a good, if unexceptional,
installment in the series. I don’t think faithful fans will be disappointed.


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While the X-Men/Marvel continue to thrive, it would be nice and most welcome to see the Artists and others who originally contributed to their success recognized by the "industry" for what was once a dime or twelve cent monthly comic. As much attention as Stan Lee inherits he stood on the shoulders of giants who are due their recognition. Nuff' said…Excelsior.

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