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This Weekend, Avoid ‘Expendables,’ See Films by Catherine Breillat, Philippe Garrel & Michael Winterbottom Instead

This Weekend, Avoid 'Expendables,' See Films by Catherine Breillat, Philippe Garrel & Michael Winterbottom Instead

"The Expendables 3" finally crashed into theaters everywhere today. Will early online piracy hurt this tired reunion of old action fogies? Who cares, because there are better ways to spend your movie weekend.

In select cities, two French auteurs deliver their finest, most introspective works in years: Catherine Breillat’s "Abuse of Weakness" dwells in the dark power plays and disabilities of her own life, with Isabelle Huppert giving, as always, a shattering performance. And in Philippe Garrel’s rueful "Jealousy," Parisian would-be bohemians (one is played by his son, Louis Garrel) are now parents in their thirties. This lovely black-and-white movie, at a lean, clean 77 minutes, finds beauty in banality.

American festival indies also wend their way to art-houses, including the whimsical comedy "Frank" starring Michael Fassbender in a giant fake head, and zombie-rom-com "Life After Beth," with Dane DeHaan and Aubrey Plaza. If that’s not your bag, bask in the summery "Trip To Italy," which reunites bantering road buddies Steve Coogan and Rob Brydon on yet another food tour.

Then there’s "The Giver," a YA sci-fi franchise hopeful that, in spite of passionate producer and star Jeff Bridges, may not click with audiences who have been-there, done-that. But those of us who attended elementary and middle school in the 90s remember the Lois Lowry dystopian novel vividly, so, potentially, the nostalgia factor could work in the film’s favor. 

Trailers and reviews below.

Abuse of Weakness

Directed by Catherine Breillat, France, Strand Releasing
Starring Isabelle Huppert, Kool Shen
86% Fresh | Village Voice: "Breillat’s impressive film is a study of bodies and how we carry them, and it explores the manner in which weakness seeks out strength on an almost primal level, bypassing the higher modes of human thought."
Read our interview with Isabelle Huppert


Directed by Philippe Garrel, France, DistriB Films
Starring Louis Garrel, Anna Mouglalis
85% Fresh | The New York Times: "In a brief 77 minutes, ‘Jealousy’ provides a remarkably full – and also an intriguingly partial – portrait of a group of struggling artists as no-longer-entirely-young men and women."

The Giver

Directed by Phillip Noyce, USA, The Weinstein Company
Starring Brenton Thwaites, Jeff Bridges, Meryl Streep, Alexander Skarsgard, Katie Holmes, Odeya Rush, Taylor Swift
30% Fresh | "The truth is that it’s dim, perfunctory and wide-eyed, at least in every moment when Bridges isn’t on the screen."

Directed by Lenny Abrahamson, USA, Magnolia Pictures
Starring Michael Fassbender, Domhnall Gleeson, Maggie Gyllenhaal, Scoot McNairy
89% Fresh | AV Club: "What chutzpah it takes to hire one of the world’s most recognizable movie stars and then render him completely unrecognizable."
Read our review


Life After Beth 
Directed by Jeff Baena, USA, A24 Films
Starring Aubrey Plaza, Dane DeHaan, John C. Reilly, Molly Shannon, Cheryl Hines
42% Fresh | LA Times: "What might have been a snappy short is interminable at feature length, the mayhem-in-suburbia conceit generating few laughs as it stomps along."

The Trip to Italy
Directed by Michael Winterbottom, UK, IFC Films
Starring Steve Coogan, Rob Brydon
91% Fresh | NPR: "What I find appealing about these films is their sloping, improvisational air, their quality of catching a moment of life on the wing, as when Brydon startles Coogan with a joke so good he can’t stop himself from laughing."

Dinosaur 13
Directed by Todd Miller, USA, Lionsgate Films
72% Fresh | Variety: "Todd Douglas Miller’s engrossing documentary covers the triumphant discovery – and government seizure – of the world’s largest, most complete T-Rex skeleton."
Read our Sundance review

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Here's the issue with it sounds like this person is against big studio films like expendables but they aren't .They believe that you can shift perception of a broader group of people to smaller films with particular interests in mind .Art house indie films are usually geared toward people with alternative tastes in movies .You not everyone likes art house its usually the smaller minority that are actually into those types of movies .For the most part about 98% of those kinds of films suck anyway.Expandables is giving the general public what it wants these other films cater to certain groups of people .Don't hate on the fact that the people who make art house films don't know how to make a film that will relate to a broader audience .


Whoa whoa whoa, hold on a second there, Egghead– AVOID "Expendables?" Come ON, dude, where ELSE am I going to find the greatest collection of Republican action heroes this side of Ferguson, MO?

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