summer film season is now officially over and, yes, that picture of that repulsive
vermin can mean only one thing – that “Guardians of the Galaxy” was, once again, the number one film this weekend, with $16.3 million.
With $274.6 million so far at the box office, and almost
$550 million worldwide, “Galaxy” has officially become, not only the highest
grossing film this summer domestically, but also of the year, in the
And so far, the highest grossing film and most profitable film of the summer still remains “Transformers: Age of Extinction,” which has grossed, to date, $1.065 billion, with
some $821.3 million of that total overseas.
were other huge hits this summer, such as “Neighbors,” “The Fault in Our
Stars,” “Maleficent,” “Dawn of the Planet of the Apes” and “22 Jump Street.”
But if you
think they’re drinking champagne and patting each other on the back in the
Hollywood studio executive suites, guess again. More likely, instead, they’re
guzzling Pepto Bismol like it was going out of style, because, after the numbers
have been analyzed and re-analyzed again, the results are as clear as day. This
has been one lousy summer for the studios.
Though “Galaxy” is the biggest grossing film of the year domestically, and will hit $300
million in another 2 weeks, it’s not going to be enough to save this summer. A
strange case of too little, too late.
In fact, the
overall box office total for this summer was 15% lower than the summer of 2013, which makes this the lowest grossing summer since 2006.
actually even worse than that.
Tom Brueggemann at Thompson On Hollywood: “If one adjusts for higher ticket
prices and estimates the number of actual tickets sold, it appears this might
have been the weakest summer going all the way back to 1992.”
And what was
the reason for the huge slump at the box office? Everyone has their own excuses:
The World Cup; the lack of major male stars in summer films this year; the fact
that there was no “Fast and Furious” movie; or not enough animated films; and
the list goes on and on..
about the obvious reasons: That a lot of films this summer were simply bad, or
that audiences were simply not all that interested with what was out there.
Eric Wold, who’s a theatrical exhibition analyst for Riley & Co., was quoted
as saying: “You can’t chalk it up to anything other than a weak slate of movies
that didn’t resonate with consumers… We were expecting poor numbers to start
with, and it got a lot worse.”
And the proof
was in the box office numbers every weekend. Time and time again, since early
May, there were films that opened to huge numbers only to drop off big – anywhere
from 57% to 69% – in their second, and following weeks in release. Or films that simply never
even got off the ground, such as “The Expendables 3” or “Sin City: A Dame to Kill
For,” that were expected to do a lot better.
liking what they were seeing, or were unimpressed, or simply that people who really
wanted to see a movie went the first weekend, leaving the rest who weren’t so
enthusiastic in the first place, dragging their heels, going to see it.
up for the summer of 2015? So far, looks like more of the same.
happen if the box office for summer 2015 is even lower than this year’s tally?
More serious adult films for summer? Not hardly. More likely, studio execs are saying right
now that, this is just a temporary glitch, a slight cyclical
disturbance, and everything will be back to normal next summer. But I wouldn’t
bet on that right now.
As for the
rest of this weekend’s figures, “Sin City,” which tanked last weekend, took an even bigger dip this weekend by some 66%, earning $2.2 million for 14th place (It
even got beat out by the Spanish language bio-pic “Cantinflas,” about the
legendary Mexican film comic). It’s over for that film. It’s toast. And the
Blu-ray DVD is already on pre-order on Amazon – a tell-tale sign of
And who was that commenter (Sin City Jones) last week, who just
kept saying that the film was going to be a hit, regardless of its dismal opening B.O. numbers? In fact, didn’t he say that it would do even better
this weekend? Yeah right. I wonder what
he’ll say now?
new releases, the results aren’t great either. Spy thriller “The November Man” came in 6th place, with $9.3 million; and the “found footage” horror film “As Above, So Below” earned $8.3 million, though that film is sure to make a
profit since it was made for a paltry $5 million.
Meanwhile “Let’s Be Cops” still holds up as a late summer surprise hit movie, with
almost $60 million earned to date.
$2,677,000 Total: $117,756,000