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Best of the Week: ‘Interstellar,’ ‘Goodbye to Language,’ Screen Talk and More

TOH!'s Top 25 Stories of the Week

The Best of New Southeast Asian Cinema: Four Busan Film Fest Highlights

Britannia Awards Are Popular Stop on Awards Circuit

Cinema Eye Advances 15 Documentary Awards Contenders

“CITIZENFOUR” Tops Specialty Openers, “Birdman” Soars, Whither “Whiplash”?

Documentary Voters Must Sift Through 134 Features, Changing Viewing Rules

Eight Blood-Curdling Indies to Stream This Halloween

Five Smart Moves from Shia LaBeouf

From Zimmer to Reznor, Tracking the Best Original Score Contenders

How “Inherent Vice” and “Nightcrawler” DP Robert Elswit Captures the Pulse of LA

How “Point and Shoot” Went from Elaborate Selfie to Doc Awards Contender

IDA Nominations Impact the Oscar Documentary Shortlist

“Interstellar” Q&A: Nolan Set Out to Make Modern Day “Close Encounters”

“Laggies” Q&A: Lynn Shelton Changes Her Approach

Marvel Responds to DC with Phase 3 Slate

“Olive Kitteridge,” “The Leftovers,” and the Uses of Disenchantment

Revisiting “The Blair Witch Project” 15 Years Later

Screen Talk Episode 20: Debating “Theory of Everything,” “Interstellar” and “Nightcrawler”

Six Reasons Why “Interstellar” Isn’t a Best Picture Slam Dunk

Sony Pictures Classics Positions “Foxcatcher” for Oscar Race

Wanted Man Roman Polanski Evades Arrest in Poland

Watch: Eddie Redmayne and Felicity Jones Reveal Terrors Filming “Theory of Everything”

Watch: “Snowpiercer” Star Tilda Swinton’s Amazing Year with the Coolest Directors Alive

Why Theaters Are Refusing to Book Godard’s Moneymaking 3D “Goodbye to Language”

Why Weinstein Pushed Back “The Imitation Game”

With Captain Marvel and Wonder Woman, the Female Superhero Strikes Back

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