7 Reasons Why We Should Take Jennifer Aniston’s Oscar Bid Seriously
45 Films We’re Looking Forward to in 2015
Arthouse Audit: Awards Contenders Dominate Specialty Box Office
As Netflix, HBO and More Launch New TV Initiatives, 2015 May Be the Year We Cut the Cord
Academy Steak Eaters Call the Shots: Eastwood’s “American Sniper” Squeaks into Oscar Derby
“American Sniper” Among Writers Guild Nomination Surprises
BAFTA Noms 2015: Shocks, Snubs, Surprises
The Cinema Eye Honors Grow Up as “Citizenfour” Heads for Oscar Glory
Cinematographers Pick Top Five, Will Oscar Votes Go the Same Way?
Clint Eastwood’s Editors Joel Cox and Gary Roach Create New Tempo and Timing in “American Sniper”
Fandor Reins Change Again as Ted Hope Returns to Producing
Five Costume Design Oscar Contenders That Make Character-Defining Fashion Statements
“Gone Girl” DP Jeff Cronenweth Makes Bold Moves for David Fincher
Indie Film Talents Buoy HBO’s Provocative 2015 Lineup
Inside the Making of the Savage “Whiplash” Finale with Editor Tom Cross
Palm Springs Film Fest Awards “Leviathan,” “Mommy,” “Winter Sleep”
Producers Guild Nominations Snub Two Films Directed by Women
Read All Our Interviews with 2015 BAFTA Nominees
Review: The Weird, Wonderful “Togetherness,” HBO’s Newest Modern Family
“Whiplash” From Script to Screen: Producers Talk Oscar Controversy, Sundance, Toughest Scene
