There seem to be two general schools of thought on Stanley Kubrick’s timeless ‘The Shining.’ Either everything means something, or none of it means anything (and those who think otherwise are deluded). The two camps agree only on the fact that the film is terrifying. Rob Ager does a good job of straddling the two attitudes in his Collative Learning video essay on one of the oddest features of the film: the twins. Ager takes us through some details we may have missed (or may not have, if “we” are obsessive): the recurrence of the colors red and blue, the symmetrical relationship of the twins’ butchered bodies in one of Danny’s nightmares, a (possibly staged) making-of clip featuring two women who look quite a bit like the twins–as well as George Mason, of all people. (Not that surprising, given that Mason’s performance as Humber Humbert in Kubrick’s ‘Lolita’ was one of his greatest roles.) In any event, another thing all critical camps may agree on concerning ‘The Shining,’ and which this piece proves, is that you can never watch the film too much.