Though often packaged and presented immaculately, the films of Lars von Trier, from ‘Melancholia’ to ‘Dogville’ to ‘Dancer in the Dark’ to ‘Antichrist’ to ‘Manderlay’ to ‘Nymphomaniac’, are essentially assaultive. Oddly enough, though, you almost never expect the assaults they deliver.
Ah, what beautiful music, with snow falling, a slow motion love sc–oh, wait, a baby just fell out a window.
Or: What a beautiful house, with gorgeously landscaped grounds. You’d never think the world was about to–wait, is that Kirsten Dunst, sprawled naked in some ferns?
Or: Nicole Kidman is a remarkably versatile actress, whose talents are well-suited to–oh, my God, what are they doing to her? Yeesh!
Or: I just love Bjork’s bizarre, personalized musical stylings. It’s so wonderful that she–god, I’m depressed. I’m not sure I can move my limbs, I’m so sad. Help!
Or: Gosh, this soda tastes good on such a hot–ouch! Watch that two-by-four, Willem!
You get the idea. In any event, Alex Kalogeropoulos’s video above succinctly and smartly captures the spirit of aggression running through von Trier’s work. So, get ready, and take a look.