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Diving Into Disney Past, Present, and Future

Diving Into Disney Past, Present, and Future

There were many ways to approach the enormous D23 Expo 2015
this past weekend in Anaheim, California. If you wanted to see movie stars like
Dwayne Johnson or Johnny Depp or have bragging rights about being the first kid
on your block to preview upcoming Disney films you could join that throng. You
could meet John Lasseter and the brain trust of Pixar discussing their newest
projects and celebrating the 20th anniversary of Toy Story. There were panels and discussions
galore, and autograph signings by artists, animators, and stars of ABC
television series and Disney Channel shows.

As a participant and observer, I had a somewhat different
experience. On Sunday I was privileged to host the world premiere performance
of Disney in Concert: A Silly Symphony
Celebration.
Several thousand fans had the opportunity to enjoy classic
Disney cartoons accompanied by a 32-piece orchestra. It was fun to watch the
musicians synchronize their efforts to the antics of The Skeleton Dance and Three
Little Pigs
, but for my money the most effective selections were The Old Mill and Ugly Duckling, which focused our attention on the serene beauty of
the scores (by Leigh Harline and Alfred Hay Milotte, respectively). The crowd
cheered repeatedly throughout the program, and both conductor Steven Allen Fox
and his talented musicians (drawn from the cream of Los Angeles’ players) were
delighted by the response.

 Disney buffs got a particular kick out of seeing
some of the original hand-made percussion pieces crafted by Walt Disney’s
longtime sound effects genius Jimmy Macdonald, still working after eighty
years. (I’m told that Disney will be making this program available for
orchestras, including an abbreviated version designed for school assemblies.) It’s a tribute to Jonathan Heely, Executive Director of Disney Music Group, and Musical Director Alex Rannie, who prepared the score reconstructions, script and visual supervision, that this event came off as well as it did. I had fun providing the connective thread between each short.

Then, as the convention wound down on Sunday, I had the
chance to participate in the 60th anniversary celebration of The Mickey Mouse Club with many of the
original Mouseketeers. It’s difficult for me to explain why I get so choked up
when I encounter these wonderful people. Like millions of other kids, I watched
The Mickey Mouse Club every day, and
the young, talented Mouseketeers were a big part of my life. I guess my
generation regarded them more as friends than as television personalities.

That’s
why I’m never blasé about spending time with Sharon Baird, Bobby Burgess,
Sherry Alberoni, Cubby O’Brien, Darlene Gillespie, Doreen Tracey, Tommy Cole, and
“Spin and Marty,” Tim Considine and David Stollery. Their unofficial den
mother, Lorraine Santoli (author of The
Official Mickey Mouse Club Book
), led a warm round of reminiscences,
punctuated by film clips and even a few live performances by these
still-engaging performers.

At the end of the program, Becky Cline, Director of the Walt
Disney Archives, asked me to help her officiate in a surprise ceremony. Decades
ago, Walt Disney designed an award he called the Mousecar—after the Oscar—that
he presented, without fanfare or publicity, to colleagues and employees he felt
were especially deserving. When he died in 1966, a number of unengraved
Mousecars went into storage—until now. When Becky discovered these original
pieces, in pristine condition, she realized that this was a unique way to honor
the Mouseketeers with something that came directly from the man who made them
Mouseketeers so many years ago. These are not reproductions or recastings, but
the original Mousecars. Five other original Mouseketeers took the stage to receive this singular recognition: Judy Harriet, Billie Jean Beanblossom, Paul Petersen, Mary Espinosa and Nancy Abbate. An additional one was presented to the Annette
Funicello Foundation for Neurological Research, and others will go to the
families of the late and much-missed Cheryl Holdridge and Don Grady.

As if that weren’t enough, the ebullient Bobby Burgess led
his cohorts in song to make me an honorary Mouseketeer, complete with my own
set of ears.

It was quite a weekend, and I only scratched the surface.
Tomorrow I’ll tell you about some of the products and merchandise that caught
my eye on the exhibition floor.

         

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