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The 15th Edition of ‘Canada’s Coolest Film Festival’ Wraps

The 15th Edition of ‘Canada’s Coolest Film Festival’ Wraps

The 15th anniversary celebration of the Whistler Film Festival wrapped Sunday night, living up to its title as ‘Canada’s coolest film fest’ by hosting more
premieres, filmmakers, industry executives, and celebrities than ever before, including unique experiences from films, music and parties to high adrenaline
races.

The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama
“Carol,” directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety

10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The WFF Audience Award
runner-ups were
“The Legend of Barney Thomson,” character-actor Robert Carlyle’s first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by
Ricardo Trogi’s mid-life crisis dramedy, Quebec film
“Le Mirage,” the highest grossing and most popular Canadian film of the year so far. The WFF Audience Award is a non-cash prize presented to the highest-rated film as
voted by the audience.

Paul Gratton, Director of Programming had this to say about this year’s event: “We were very fortunate to open this year’s fest with the Canadian premiere
of “Carol,” a film we are convinced will be a major contender in this year’s awards season race. The festival took off from there, with many sold out
screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and
talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making WFF the coolest festival in
the world. Can’t wait ’til next year.”

Total attendance for this year’s fest was
13,233 attendees (a 18% increase
over 11,273 in 2014)

. This included
7,740

film-screening attendees and
3,533

special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity
Challenge Ski Race), in addition to
2,530

Summit attendees. Several of the feature films were at or near capacity, including: “Born to be Blue,” “Chasing Bansky,” “Forsaken,” “How to Plan and Orgy in a Small Town,” “Legend,””Legend of Barney Thomson,” “Numb,” “The Lady in the Van,” “the Steps,” and “Trumbo.” 


Designed to facilitate international alliances and financial partnerships, WFF’s industry Summit program presented
30 interactive sessions

that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at
86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014)

including
855 delegates

(on par with 2014). The Whistler Summit directly connects to WFF’s slate of project development programs designed to provide creative and business
immersion experiences for
42 Canadian artists

including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. WFF also collaborates with several industry
organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in
Film & Television Film Market Preparation Mentorship, and the MPPIA Short Film Award Pitch with the Motion Picture Production Industry Association and
Creative BC. In addition to the

204 scheduled meetings
(a 10% increase over 186 in 2014)

that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the
festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate,
and included some of the top talent and executives in the business.

Film met music when
Morning Show, one of the ten-featured BC artists from WFF’s Music Café, performed the live score for “He Hated Pigeons.” WFF’s Music Café, which expanded to include two
showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.


Toronto’s first-time feature director
Jamie M. Dagg’s “River”

dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature
presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor
Paul Savoie

with Best Performance in a Borsos Film for his performance in “The Diary of an Old Man,” as well as provided honorable mention for
Rossif Sutherland’s work in “River” and
Laura Abramsen’s

roles in “Basic human Needs” and “The Sabbatical.” Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer
Dylan Macleod for
“He Hated Pigeons,” directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and
screenwriter and WFF15 Alumni
Carl Bessai (“Rehearsal), beloved actor and director
Marc-André Grondin

, and award-winning producer extraordinaire,
Kim McCraw.


Other Whistler award winners included
“Last Harvest” by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s
“Al Purdy Was Here.” The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s
“Eclipse.” The Canadian ShortWork Award went to
“Withheld”

directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s
MIA’.

The International ShortWork Award was awarded to
“Dissonance” by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s
“The World Who Came to Dinner.” Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for
“The Blue Jet,”

and Maja Aro won the MPPIA Short Film Award for
“Hoods”

presented by MPPIA and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (AWFJ)
EDA Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’
“A Light Beneath Their Feet,” Best Female-Directed Documentary to Hui (Jane) Wang’s
“Last Harvest,” with a special mention for Brian D. Johnson’s “Al Purdy Was Here.”

In addition, Céline Devaux’s
“Sunday Lunch” took home the Best Female-Directed Short Award.


Receiving WFF’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director
Kiefer Sutherland

discussed his extensive acting career spanning film, stage and television, with CTV Film Critic
Jim Gordon

, followed by the Western Canadian Premiere of his latest film, “Forsaken.” Scottish-born
Robert Carlyle

, one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as WFF’s Maverick Award honoree and sat down
with
Jim Gordon

to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North
American Premiere of his directorial debut, “The Legend the Barny Thomson.” One of Canada’s hardest working and most accomplished character actors,
Bruce Greenwood

was the recipient of WFF’s
Career Achievement Award,

at the World Premiere of his latest film “Rehearsal,” directed by admired WFF Alumni Carl Bessai.

The Whistler Film Festival proudly hosted the
Variety 10 Screenwriters to Watch

for the fourth consecutive year hosted by
Variety

Vice President and Executive Editor,
Steven Gaydos

. This year’s slate of screenwriters in attendance included
Bryan Sipe

(“Demolition”),
John Scott III

(“Maggie”),
Meg LeFauve

(“Inside Out”),
Mike Le

(“Patient Zero”), and
Emma Donoghue

(“Room”), who also delivered a Master Class for the WFF Praxis Screenwriters Lab participants.

To top it all off,
Lauren Lee Smith

(“How to Plan an Orgy in a Small Town”),
Jakob Davies

(“The Birdwatcher”),
Taylor Russell

and
Rustin Gresiuk

(“Suspension”) were recognized as WFF’s Rising Stars sponsored by UBCP/ACTRA at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest
Pictures, and all had films premiering at the fest.


Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor
Rossif Sutherland

(“River”), director
Jon Cassar

(“Forsaken”), actor
Callum Keith Rennie

(“Born to Be Blue”), director/writer
Sandy Wilson

(“My American Cousin), actors
Aleks Paunovic, Stefanie von Pfetten, Marie
Avgeropoulos

and
Colin Cunningham

(“Numb”), actors
Chelah Horsdal

and
Alex Zahara

(“Patterson’s Wager”), actor
Sage Brocklebank

(“Suspension”), actors
Gabrielle Rose

and
Camille Sullivan

(“The Birdwatcher”), actor
Rebecca Dalton

(“The Colossal Failure of the Modern Relationship”), actor
Paul Savoie

(“The Diary of an Old Man”), director and founder of the Toronto Film Critics Association
Brian D. Johnson

(“Al Purdy Was Here”), director and co-founder of World Elephant Day
Patricia Sims

and co-director
Michael Clark

(“When Elephants Were Young”),
“The Steps”

director
Andrew Currie

and actor
Steven McCarthy

, and award-winning directors
Philippe Lesage

(“The Demons”) and
Ricardo Trogi

(“The Miracle”). Veteran director
Bruce McDonald

attended as a mentor of the WFF Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist
Mary Walsh

, who participated in the Women In The Director’s Chair program and got a standing ovation as WFF’s Keynote Speaker at the Filmmaker Luncheon.

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